Today's Stichomancy for Joel Grey

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Alcibiades I by Plato:

Alcibiades was a favourite thesis, and that at least five or six dialogues bearing this name passed current in antiquity, and are attributed to contemporaries of Socrates and Plato. (1) In the entire absence of real external evidence (for the catalogues of the Alexandrian librarians cannot be regarded as trustworthy); and (2) in the absence of the highest marks either of poetical or philosophical excellence; and (3) considering that we have express testimony to the existence of contemporary writings bearing the name of Alcibiades, we are compelled to suspend our judgment on the genuineness of the extant dialogue.

Neither at this point, nor at any other, do we propose to draw an absolute line of demarcation between genuine and spurious writings of Plato. They

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Four Arthurian Romances by Chretien DeTroyes:

his followers have not anything they want, but are pensive, gloomy, and downcast. The king turns away from the list, taking with him Lancelot, who begs him to take him to the Queen. "I shall not fail to do so," the king replies; "for it seems to me the proper thing to do. And if you like, I will show you Kay the seneschal." At this Lancelot is so glad that he almost falls at his feet. Then the king took him at once into the hall, where the Queen had come to wait for him.

(Vv. 3955-4030.) When the Queen saw the king holding Lancelot by the hand, she rose before the king, but she looked displeased with clouded brow, and she spoke not a word. "Lady, here is

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Altar of the Dead by Henry James:

advance, and how bright in especial the place would become to him in the intermissions of toil and the dusk of afternoons; how rich in assurance at all times, but especially in the indifferent world. Before withdrawing he drew nearer again to the spot where he had first sat down, and in the movement he met the lady whom he had seen praying and who was now on her way to the door. She passed him quickly, and he had only a glimpse of her pale face and her unconscious, almost sightless eyes. For that instant she looked faded and handsome.

This was the origin of the rites more public, yet certainly esoteric, that he at last found himself able to establish. It took

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Marie by H. Rider Haggard:

heartily do I wish that it had been the last I ever saw of him. But this was not to be.

CHAPTER VI

THE PARTING

The Boers, who ostensibly had come to the kloof to see the shooting match, although, in fact, for a very different purpose, now began to disperse. Some of them rode straight away, while some went to wagons which they had outspanned at a distance, and trekked off to their separate homes. I am glad to say that before they left quite a number of the best of them came up and congratulated me both on the defence of Maraisfontein and on my shooting. Also not a few expressed their views

Marie