| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Figure in the Carpet by Henry James: but she made her case slightly more intelligible by returning
presently: "What the state of things has been is that we felt of
course bound to do nothing in mamma's lifetime."
"But now you think you'll just dispense with mamma's consent?"
"Ah it mayn't come to that!" I wondered what it might come to, and
she went on: "Poor dear, she may swallow the dose. In fact, you
know," she added with a laugh, "she really MUST!" - a proposition
of which, on behalf of every one concerned, I fully acknowledged
the force.
CHAPTER VIII.
NOTHING more vexatious had ever happened to me than to become aware
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Gone With the Wind by Margaret Mitchell: "But why--"
"I can't make money from the enforced labor and misery of others."
"But you owned slaves!"
"They weren't miserable. And besides, I'd have freed them all when
Father died if the war hadn't already freed them. But this is
different, Scarlett. The system is open to too many abuses.
Perhaps you don't know it but I do. I know very well that Johnnie
Gallegher has killed at least one man at his camp. Maybe more--who
cares about one convict, more or less? He said the man was killed
trying to escape, but that's not what I've heard elsewhere. And I
know he works men who are too sick to work. Call it superstition,
 Gone With the Wind |