Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for John Cleese

The first excerpt represents the past or something you must release, and is drawn from Protagoras by Plato:

of the Sophists in some of the later Dialogues. The Charmides, Laches, Lysis, all touch on the question of the relation of knowledge to virtue, and may be regarded, if not as preliminary studies or sketches of the more important work, at any rate as closely connected with it. The Io and the lesser Hippias contain discussions of the Poets, which offer a parallel to the ironical criticism of Simonides, and are conceived in a similar spirit. The affinity of the Protagoras to the Meno is more doubtful. For there, although the same question is discussed, 'whether virtue can be taught,' and the relation of Meno to the Sophists is much the same as that of Hippocrates, the answer to the question is supplied out of the doctrine of ideas; the real Socrates is already passing into the Platonic one. At a

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Mother by Owen Wister:

making love keeps it busy, it does not care so much to listen to tales of others' love-making; but the more it recedes from that period of exuberance, and ceases to have love adventures of its own, the greater become its hunger and thirst to hear about this delicious business which it can no longer personally practice with the fluency of yore. It was for this reason that we all yearned in our middle-aged way for the tale of love which we expected from young Richard. He, on his part, repeated the hope that by the time his turn to tell a story was reached we should be tired of stories and prefer to spend the evening at the card tables or in the music room.

We were a house party, no brief "week-end" affair, but a gathering whose

The third excerpt represents the future or something you must embrace, and is drawn from The Marvelous Land of Oz by L. Frank Baum:

glaring at the embers of the dying fire.

Line-Art Drawing

29 The Flight of the Fugitives

Tip reflected.

"It's a hard thing, to be a marble statue," he thought, rebelliously, "and I'm not going to stand it. For years I've been a bother to her, she says; so she's going to get rid of me. Well, there's an easier way than to become a statue. No boy could have any fun forever standing in the middle of a flower garden! I'll run away, that's what I'll do -- and I may as well go before she makes me drink that nasty stuff in the kettle." He waited until the snores of the old witch announced she was fast asleep, and then he arose


The Marvelous Land of Oz