| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: performance of sentiment springs, doubtless suggested to Rousseau the
adventures of Lord Edward, which conclude the letters of the /Nouvelle
Heloise/. If Rousseau is obviously inspired by the work of Richardson,
he departs from it in a thousand details, which leave his achievement
magnificently original; he has recommended it to posterity by great
ideas which it is difficult to liberate by analysis, when, in one's
youth, one reads this work with the object of finding in it the lurid
representation of the most physical of our feelings, whereas serious
and philosophical writers never employ its images except as the
consequence or the corollary of a vast thought; and the adventures of
Lord Edward are one of the most Europeanly delicate ideas of the whole
 The Girl with the Golden Eyes |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Memorabilia by Xenophon: some fruits, and causing others whose time is past to dry up; how when
he has fulfilled his work he comes no closer, but turns away as if in
fear to scorch us to our hurt unduly; and again, when he has reached a
point where if he should prolong his reatreat we should plainly be
frozen to death with cold, note how he turns him about and resumes his
approach, traversing that region of the heavens where he may shed his
genial influence best upon us.
[14] A single MS. inserts a passage {to de kai era . . .
'Anekphraston}.
[15] i.e. as we say, "after the winter solstice."
Yes, upon my word (he answered), these occurrences bear the impress of
 The Memorabilia |