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Today's Stichomancy for John Dillinger

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Euthydemus by Plato:

to advance: even your skill in the subtleties of logic, which is really amazing, has not found out the way of throwing another and not falling yourself, now any more than of old.

Ctesippus said: Men of Chios, Thurii, or however and whatever you call yourselves, I wonder at you, for you seem to have no objection to talking nonsense.

Fearing that there would be high words, I again endeavoured to soothe Ctesippus, and said to him: To you, Ctesippus, I must repeat what I said before to Cleinias--that you do not understand the ways of these philosophers from abroad. They are not serious, but, like the Egyptian wizard, Proteus, they take different forms and deceive us by their

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Parmenides by Plato:

'that this arises out of your attempting to define abstractions, such as the good and the beautiful and the just, before you have had sufficient previous training; I noticed your deficiency when you were talking with Aristoteles, the day before yesterday. Your enthusiasm is a wonderful gift; but I fear that unless you discipline yourself by dialectic while you are young, truth will elude your grasp.' 'And what kind of discipline would you recommend?' 'The training which you heard Zeno practising; at the same time, I admire your saying to him that you did not care to consider the difficulty in reference to visible objects, but only in relation to ideas.' 'Yes; because I think that in visible objects you may easily show any number of inconsistent consequences.' 'Yes; and you should

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Confidence by Henry James:

and he flattered himself at any rate that he could guard his integrity without making himself ridiculous. So, at what he thought a proper hour, in the course of the morning, he retraced his steps along the little lane through which, two days ago, Angela Vivian had shown him the way to her mother's door. At this humble portal he knocked; the windows of the little chalet were open, and the white curtains, behind the flower-pots, were fluttering as he had seen them before. The door was opened by a neat young woman, who informed him very promptly that Madame and Mademoiselle had left Blanquais a couple of hours earlier. They had gone to Paris--yes, very suddenly,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Market-Place by Harold Frederic:

his overcoat, laid aside his hat, and seated himself.

"I've worked out the whole scheme," he began, as if introducing the product of many sleepless nights' cogitations. "I'm going to leave England almost immediately--go on the Continent and loaf about--I've never seen the Continent."

Semple regarded him in silence. "Well?" he observed at last.

"You see the idea, don't you?" Thorpe demanded.

The broker twitched his shoulders slightly. "Go on," he said.

"But the idea is everything," protested the other.


The Market-Place