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Today's Stichomancy for John Dillinger

The first excerpt represents the past or something you must release, and is drawn from Out of Time's Abyss by Edgar Rice Burroughs:

that you know kills easily at a distance. If you disobey in the slightest, the instructions that I am about to give you, you shall both die. That we must die with you, will not deter us. If you obey, I promise to set you free without harming you.

"You will carry us due west, depositing us upon the shore of the mainland--that is all. It is the price of your lives. Do you agree?"

Sullenly the Wieroos acquiesced. Bradley examined the knots that held the rope to their ankles, and feeling them secure directed the girl to mount the back of the leading Wieroo, himself upon the other. Then he gave the signal for the two to rise together. With loud flapping of the powerful wings the creatures took to


Out of Time's Abyss
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Black Beauty by Anna Sewell:

but I was not strong enough -- it was an anxious time! Coming from the better part of the fair, I noticed a man who looked like a gentleman farmer, with a young boy by his side; he had a broad back and round shoulders, a kind, ruddy face, and he wore a broad-brimmed hat. When he came up to me and my companions he stood still and gave a pitiful look round upon us. I saw his eye rest on me; I had still a good mane and tail, which did something for my appearance. I pricked my ears and looked at him.

"There's a horse, Willie, that has known better days."

"Poor old fellow!" said the boy, "do you think, grandpapa, he was ever a carriage horse?"

The third excerpt represents the future or something you must embrace, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

this frail partition might break, but strong bands of copper bound them, giving an almost infinite power of resistance.

The sea was distinctly visible for a mile all round the Nautilus. What a spectacle! What pen can describe it? Who could paint the effects of the light through those transparent sheets of water, and the softness of the successive gradations from the lower to the superior strata of the ocean?

We know the transparency of the sea and that its clearness is far beyond that of rock-water. The mineral and organic substances which it holds in suspension heightens its transparency. In certain parts of the ocean at the Antilles, under seventy-five


20,000 Leagues Under the Sea