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Today's Stichomancy for John Lennon

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Beast in the Jungle by Henry James:

of their vigil. Yet he didn't want, at the same time, to be tense and solemn; tense and solemn was what he imagined he too much showed for with other people. The thing to be, with the one person who knew, was easy and natural--to make the reference rather than be seeming to avoid it, to avoid it rather than be seeming to make it, and to keep it, in any case, familiar, facetious even, rather than pedantic and portentous. Some such consideration as the latter was doubtless in his mind for instance when he wrote pleasantly to Miss Bartram that perhaps the great thing he had so long felt as in the lap of the gods was no more than this circumstance, which touched him so nearly, of her acquiring a house

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Whirligigs by O. Henry:

almost to austerity, but the child had come below it all and rested upon his very heart, so that she scarcely missed the mother's love that had been taken away. There was a wonderful companionship between them, for she had many of his own ways, being thoughtful and serious beyond her years.

One day, while she was lying with the fever burning brightly in her checks, she said suddenly:

"Papa, I wish I could do something good for a whole lot of children!"

"What would you like to do, dear?" asked the Com-

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Love Songs by Sara Teasdale:

"Sara Teasdale sings about love better than any other contemporary American poet." -- `The Boston Transcript'.

"`Rivers to the Sea' is the most charming volume of poetry that has appeared on either side of the Atlantic in a score of years." -- `St. Louis Republic'.

Sara Teasdale (1884-1933):

Teasdale was born in St. Louis, Missouri, where she attended a school that was founded by the grandfather of another great poet from St. Louis -- T. S. Eliot. She later associated herself more with New York City. Her first book of poems was "Sonnets to Duse" (1907), [at least one poem in the current volume, "Faults", is from this book,] but "Helen of Troy" (1911) was the true launch of her career,

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Silverado Squatters by Robert Louis Stevenson:

never was any one more Scotch in this wide world. He could sing and dance, and drink, I presume; and he played the pipes with vigour and success. All the Scotch in Sacramento became infatuated with him, and spent their spare time and money, driving him about in an open cab, between drinks, while he blew himself scarlet at the pipes. This is a very sad story. After he had borrowed money from every one, he and his pipes suddenly disappeared from Sacramento, and when I last heard, the police were looking for him.

I cannot say how this story amused me, when I felt myself so thoroughly ripe on both sides to be duped in the same way.