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Today's Stichomancy for John Travolta

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lost Princess of Oz by L. Frank Baum:

Toto was not entirely satisfied with this remark, for the more he thought upon his lost growl, the more important his misfortune became. When no one was looking, he went away among the trees and tried his best to growl--even a little bit--but could not manage to do so. All he could do was bark, and a bark cannot take the place of a growl, so he sadly returned to the others.

Now Button-Bright had no idea that he was lost at first. He had merely wandered from tree to tree seeking the finest fruit until he discovered he was alone in the great orchard. But that didn't worry him just then, and seeing some apricot trees farther on, he went to them. Then he discovered some cherry trees; just beyond these were


The Lost Princess of Oz
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Two Brothers by Honore de Balzac:

"They are going to guillotine him!" cried the women.

By the time they reached the end of the Grande-Narette the crowd were shouting: "They are taking him to the guillotine!" "They found the knife upon him!" "That's what Parisians are!" "He carries crime on his face!"

Though all Joseph's blood had flown to his head, he walked the distance from the place Saint-Jean to the Palais with remarkable calmness and self-possession. Nevertheless, he was very glad to find himself in the private office of Monsieur Lousteau-Prangin.

"I need hardly tell you, gentlemen, that I am innocent," said Joseph, addressing Monsieur Mouilleron, Monsieur Lousteau-Prangin, and the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

curved Damascus blade, which I had never used, and which was very sharp. I took it from its sheath. I remember that the sheath fell upon the sofa, and that I said to myself: 'I must look for it later; it must not be lost.'

"Then I took off my overcoat, which I had kept on all the time, and with wolf-like tread started for THE ROOM. I do not remember how I proceeded, whether I ran or went slowly, through what chambers I passed, how I approached the dining-room, how I opened the door, how I entered. I remember nothing about it.

CHAPTER XXVII.


The Kreutzer Sonata
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

front that now again bent over the caldron--stretched it toward the haunted and hollow-sounding space beyond, in the gesture of one whose right hand has the sway of the scepter. And then her voice stole on the air in the music of a chant, not loud yet far- reaching; so thrilling, so sweet and yet so solemn that I could at once comprehend how legend united of old the spell of enchantment with the power of song. All that I recalled of the effects which, in the former time, Margrave's strange chants had produced on the ear that they ravished and the thoughts they confused, was but as the wild bird's imitative carol, compared to the depth and the art and the soul of the singer, whose voice seemed endowed with a charm