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Today's Stichomancy for John Von Neumann

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lamentable Tragedy of Locrine and Mucedorus by William Shakespeare:

Sayest thou so, sweet wench; let me lick thy toes. Farewell, mistress.

[Turning to the people.]

If any of you be in love, provide ye a capcase full of new coined words, and then shall you soon have the succado de labres, and something else.

[Exeunt.]

ACT I. SCENE 3. An apartment in the palace.

[Enter Locrine, Gwendoline, Camber, Albanact, Corineius, Assarachus, Debon, Thrasimachus.]

LOCRINE.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Robinson Crusoe by Daniel Defoe:

and every necessary thing I could think of.

I carried also a hundred spare arms, muskets, and fusees; besides some pistols, a considerable quantity of shot of all sizes, three or four tons of lead, and two pieces of brass cannon; and, because I knew not what time and what extremities I was providing for, I carried a hundred barrels of powder, besides swords, cutlasses, and the iron part of some pikes and halberds. In short, we had a large magazine of all sorts of store; and I made my nephew carry two small quarter-deck guns more than he wanted for his ship, to leave behind if there was occasion; so that when we came there we might build a fort and man it against all sorts of enemies. Indeed, I at


Robinson Crusoe
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Young Forester by Zane Grey:

of burning pitch. It brought also a low roar, not like the wind in the trees or rapid-rushing water. It might have been my imagination, but I fancied it was like the sound of flames blowing through the wood of a campfire.

"Fire! Fire!" exclaimed Hiram, with another ominous shake of his head. "We must be up an' doin'."

"The forest's greatest foe! Old Penetier is doomed!" cried Dick Leslie. "That line of fire is miles long, and is spreading fast. It'll shoot up the canyons and crisscross the forest in no time. Bent, what'll we do?"

"Mebbe we can get around the line. We must, or we'll have to make tracks for the mountain, an' thet's a long chance. You take to the left an' I'll


The Young Forester
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

time to time there struck the ear the distant rumble of a carriage. He put his head out of the window, and gazed for some time. Already the signs of approaching dawn were spreading over the sky. At last he felt drowsy, shut to the window, stepped back, lay down in bed, and quickly fell, like one exhausted, into a deep sleep.

He awoke late, and with the disagreeable feeling of a man who has been half-suffocated with coal-gas: his head ached painfully. The room was dim: an unpleasant moisture pervaded the air, and penetrated the cracks of his windows. Dissatisfied and depressed as a wet cock, he seated himself on his dilapidated divan, not knowing what to do, what to set about, and at length remembered the whole of his dream. As he


Taras Bulba and Other Tales