| The first excerpt represents the past or something you must release, and is drawn from U. S. Project Trinity Report by Carl Maag and Steve Rohrer: Data from Test Detonations 1945-1962. Vol. 1: "Continental US Tests."
Washington, D. C.: Defense Nuclear Agency. DNA 1251-1(EX.). 1979.
619 Pages. (A99) AD/AO79 309.*
6. Groves, Leslie R., LTG, USA. Memorandum for Secretary of War,
[Subject: TRINITY]. [Washington, D.C.] 18 July 1945. 13 Pages.**
7. Groves, Leslie R., LTG, USA (Ret.). Now It Can Be Told: The Story
of the Manhattan Project. New York, NY.: Harper and Row. 1962. 444
Pages.
8. Headquarters, 9812th Technical Service Unit, Provisional
Detachment No. I (Company "B"). [Extract from: Daily Diary,
Provisional Detachment No. 1 (Company "B"), 9812th Technical Service
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Peter Pan by James M. Barrie: the real redskins fascinated by Peter's methods, agreed to be
lost boys for that once, and so at it they all went again, more
fiercely than ever.
The extraordinary upshot of this adventure was -- but we have
not decided yet that this is the adventure we are to narrate.
Perhaps a better one would be the night attack by the redskins on
the house under the ground, when several of them stuck in the
hollow trees and had to be pulled out like corks. Or we might
tell how Peter saved Tiger Lily's life in the Mermaids' Lagoon,
and so made her his ally.
Or we could tell of that cake the pirates cooked so that the
 Peter Pan |
The third excerpt represents the future or something you must embrace, and is drawn from The Apology by Xenophon: The Apology
By Xenophon
Translation by H. G. Dakyns
THE APOLOGY OF SOCRATES[1]
Among the reminiscences of Socrates, none, as it seems to me, is more
deserving of record than the counsel he took with himself[2] (after
being cited to appear before the court), not only with regard to his
defence, but also as to the ending of his life. Others have written on
this theme, and all without exception have touched upon[3] the lofty
style of the philosopher,[4] which may be taken as a proof that the
language used by Socrates was really of that type. But none of these
 The Apology |