| The first excerpt represents the past or something you must release, and is drawn from Ann Veronica by H. G. Wells: said.
"I thought you were coming right across the Park."
"Oh no," said Ann Veronica; "I have some work to do. I just
wanted a breath of air. And they'll shut the gates presently.
It's not far from twilight."
Part 9
She was sitting brooding over her fire about ten o'clock that
night when a sealed and registered envelope was brought up to
her.
She opened it and drew out a letter, and folded within it were
the notes she had sent off to Ramage that day. The letter began:
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Hiero by Xenophon: through terror, whom has he to fall back upon to be of use to him,
save only the unjust, the incontinent, and the slavish-natured?[3] Of
these, the unjust can be trusted as sharing the tyrant's terror lest
the cities should some day win their freedom and lay strong hands upon
them; the incontinent, as satisfied with momentary license; and the
slavish-natured, for the simple reason that they have not themselves
the slightest aspiration after freedom.[4]
[3] Or, "the dishonest, the lascivious, and the servile."
[4] "They have no aspiration even to be free," "they are content to
wallow in the slough of despond." The {adikoi} (unjust) correspond
to the {dikaioi} (just), {akrateis} (incontinent) to the {sophoi}
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The third excerpt represents the future or something you must embrace, and is drawn from The Girl with the Golden Eyes by Honore de Balzac: of his pleasures and vanities. This invisible action upon the social
world had invested him with a real, but secret, majesty, without
emphasis and deriving from himself. He had not the opinion which Louis
XIV. could have of himself, but that which the proudest of the
Caliphs, the Pharoahs, the Xerxes, who held themselves to be of divine
origin, had of themselves when they imitated God, and veiled
themselves from their subjects under the pretext that their looks
dealt forth death. Thus, without any remorse at being at once the
judge and the accuser, De Marsay coldly condemned to death the man or
the woman who had seriously offended him. Although often pronounced
almost lightly, the verdict was irrevocable. An error was a misfortune
The Girl with the Golden Eyes |
