| The first excerpt represents the past or something you must release, and is drawn from Padre Ignacio by Owen Wister: within them, more variety was to be gained by joining this company than
by waiting outside alone until they should return from their devotions.
So he seated himself in a corner near the entrance, and after a brief,
jaunty glance at the sunburned, shaggy congregation, made himself as
comfortable as might be. He had not seen a face worth keeping his eyes
open for. The simple choir and simple fold, gathered for even-song, paid
him no attention--a rough American bound for the mines was but an object
of aversion to them.
The Padre, of course, had been instantly aware of the stranger's
presence. To be aware of unaccustomed presences is the sixth sense with
vicars of every creed and heresy; and if the parish is lonely and the
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Awakening & Selected Short Stories by Kate Chopin: She sat in her room, one hot afternoon, in her peignoir,
listlessly drawing through her fingers the strands of her long,
silky brown hair that hung about her shoulders. The baby, half
naked, lay asleep upon her own great mahogany bed, that was like a
sumptuous throne, with its satin-lined half-canopy. One of La
Blanche's little quadroon boys--half naked too--stood fanning the
child slowly with a fan of peacock feathers. Desiree's eyes had
been fixed absently and sadly upon the baby, while she was striving
to penetrate the threatening mist that she felt closing about her.
She looked from her child to the boy who stood beside him, and back
again; over and over. "Ah!" It was a cry that she could not help;
 Awakening & Selected Short Stories |
The third excerpt represents the future or something you must embrace, and is drawn from Grimm's Fairy Tales by Brothers Grimm: 'Where is the needle, Hans?' 'Stuck in the hay-cart.' 'That was ill
done, Hans. You should have stuck the needle in your sleeve.' 'Never
mind, I'll do better next time.'
'Whither away, Hans?' 'To Gretel, mother.' 'Behave well, Hans.' 'Oh,
I'll behave well. Goodbye, mother.' 'Goodbye, Hans.' Hans comes to
Gretel. 'Good day, Gretel.' 'Good day, Hans. What do you bring that is
good?' 'I bring nothing. I want to have something given to me.' Gretel
presents Hans with a knife. 'Goodbye, Gretel.' 'Goodbye, Hans.' Hans
takes the knife, sticks it in his sleeve, and goes home. 'Good
evening, mother.' 'Good evening, Hans. Where have you been?' 'With
Gretel.' What did you take her?' 'Took her nothing, she gave me
 Grimm's Fairy Tales |