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Today's Stichomancy for Joseph Stalin

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Two Poets by Honore de Balzac:

the workshop, lighted at either end, and dark in the middle; the walls covered with handbills and begrimed by friction of all the workmen who had rubbed past them for thirty years; the cobweb of cordage across the ceiling, the stacks of paper, the old-fashioned presses, the pile of slabs for weighting the damp sheets, the rows of cases, and the two dens in the far corners where the master printer and foreman sat--and you will have some idea of the life led by the two friends.

One day early in May, 1821, David and Lucien were standing together by the window that looked into the yard. It was nearly two o'clock, and the four or five men were going out to dinner. David waited until the apprentice had shut the street door with the bell fastened to it; then

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The $30,000 Bequest and Other Stories by Mark Twain:

of this author.

To say that the INNOCENTS ABROAD is a curious book, would be to use the faintest language--would be to speak of the Matterhorn as a neat elevation or of Niagara as being "nice" or "pretty." "Curious" is too tame a word wherewith to describe the imposing insanity of this work. There is no word that is large enough or long enough. Let us, therefore, photograph a passing glimpse of book and author, and trust the rest to the reader. Let the cultivated English student of human nature picture to himself this Mark Twain as a person capable of doing the following-described things--and not only doing them, but with incredible innocence PRINTING THEM calmly and tranquilly

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales of Unrest by Joseph Conrad:

woman gasped and laughed at no one in the luminous stillness of the empty room.

He reappeared, striding at her, and with a tumbler of water in his hand. He stammered: "Hysterics--Stop--They will hear--Drink this." She laughed at the ceiling. "Stop this!" he cried. "Ah!"

He flung the water in her face, putting into the action all the secret brutality of his spite, yet still felt that it would have been perfectly excusable--in any one--to send the tumbler after the water. He restrained himself, but at the same time was so convinced nothing could stop the horror of those mad shrieks that, when the first sensation of relief came, it did not even occur to him to doubt the


Tales of Unrest
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lily of the Valley by Honore de Balzac:

kindness there was something maternal. The old lady took pains to make me intimate with her daughter Madame d'Espard, with the Duchesse de Langeais, the Vicomtesse de Beauseant, and the Duchesse de Maufrigneuse, women who held the sceptre of fashion, and who were all the more gracious to me because I made no pretensions and was always ready to be useful and agreeable to them. My brother Charles, far from avoiding me, now began to lean upon me; but my rapid success roused a secret jealousy in his mind which in after years caused me great vexation. My father and mother, surprised by a triumph so unexpected, felt their vanity flattered, and received me at last as a son. But their feeling was too artificial, I might say false, to let their


The Lily of the Valley