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Today's Stichomancy for Josh Hartnett

The first excerpt represents the past or something you must release, and is drawn from Life in the Iron-Mills by Rebecca Davis:

meek, turned now and then to the sky. A woman much loved by these silent, resfful people; more silent than they, more humble, more loving. Waiting: with her eyes turned to hills higher and purer than these on which she lives,dim and far off now, but to be reached some day. There may be in her heart some latent hope to meet there the love denied her here,--that she shall find him whom she lost, and that then she will not be all- unworthy. Who blames her? Something is lost in the passage of every soul from one eternity to the other,--something pure and beautiful, which might have been and was not: a hope, a talent, a love, over which the soul mourns, like Esau deprived of his


Life in the Iron-Mills
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Eighteenth Brumaire of Louis Bonaparte by Karl Marx:

bourgeoisie was to rule under the name of the people. The demands of the Parisian proletariat are utopian tom-fooleries that have to be done away with. To this declaration of the constitutional national assembly, the Paris proletariat answers with the June insurrection, the most colossal event in the history of European civil wars. The bourgeois republic won. On its side stood the aristocracy of finance, the industrial bourgeoisie; the middle class; the small traders' class; the army; the slums, organized as Guarde Mobile; the intellectual celebrities, the parsons' class, and the rural population. On the side of the Parisian proletariat stood none but itself. Over 3,000 insurgents were massacred, after the victory 15,000 were transported

The third excerpt represents the future or something you must embrace, and is drawn from An Historical Mystery by Honore de Balzac:

Each time that the old man went to Troyes he returned with some relic of the former splendor, sometimes a fine carpet for the floor of the salon, at other times part of a dinner service, or a bit of rare old porcelain of either Sevres or Dresden. During the last six months he had ventured to dig up the family silver, which the cook had buried in the cellar of a little house belonging to him at the end of one of the long faubourgs in Troyes.

That faithful servant, named Durieu, and his wife had followed the fortunes of their young mistress. Durieu was the factotum of the chateau, and his wife was the housekeeper. He was helped in the cooking by the sister of Catherine, Laurence's maid, to whom he was