Today's Stichomancy for Josh Hartnett

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Enchanted Island of Yew by L. Frank Baum:

until they lost all sense of the direction in which they were going.

"Never mind," said the prince; "so long as we get farther and farther away from the ugly Terribus I shall be satisfied."

"Perhaps we are getting into more serious danger than ever," answered Nerle, brightening; "one of the giants told me the other day that near the foot of these mountains is the Kingdom of the High Ki of Twi."

"Who is the High Ki of Twi?" asked Prince Marvel.

"No one knows," answered Nerle.

"And what is the Kingdom of Twi like?"

"No one knows that," answered Nerle.

"Then," returned the prince, with a smile, "if by chance we visit the

The Enchanted Island of Yew

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Water-Babies by Charles Kingsley:

whales. They came and rubbed their great sides against the buoy, and lay basking in the sun with their backfins out of water; and winked at Tom: but he never could get them to speak. They had eaten so many herrings that they were quite stupid; and Tom was glad when a collier brig came by and frightened them all away; for they did smell most horribly, certainly, and he had to hold his nose tight as long as they were there.

And then there came by a beautiful creature, like a ribbon of pure silver with a sharp head and very long teeth; but it seemed very sick and sad. Sometimes it rolled helpless on its side; and then it dashed away glittering like white fire; and then it lay sick

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Pierre Grassou by Honore de Balzac:

who only redeemed his defects by the qualities which you lack."

While detailing these faults of the picture Schinner saw on Fougeres' face so deep an expression of sadness that he carried him off to dinner and tried to console him. The next morning at seven o'clock Fougeres was at his easel working over the rejected picture; he warmed the colors; he made the corrections suggested by Schinner, he touched up his figures. Then, disgusted with such patching, he carried the picture to Elie Magus. Elie Magus, a sort of Dutch-Flemish-Belgian, had three reasons for being what he became,--rich and avaricious. Coming last from Bordeaux, he was just starting in Paris, selling old pictures and living on the boulevard Bonne-Nouvelle. Fougeres, who

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Early Short Fiction of Edith Wharton by Edith Wharton:

walked down the passage in silence, and she stood aside with a grave gesture, making Wyant pass before her into the room. Then she crossed over and drew the curtain back from the picture.

The light of the early afternoon poured full on it: its surface appeared to ripple and heave with a fluid splendor. The colors had lost none of their warmth, the outlines none of their pure precision; it seemed to Wyant like some magical flower which had burst suddenly from the mould of darkness and oblivion.

He turned to Miss Lombard with a movement of comprehension.

"Ah, I understand--you couldn't part with it, after all!" he cried.

"No--I couldn't part with it," she answered.