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Today's Stichomancy for Josh Hartnett

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Figure in the Carpet by Henry James:

brilliancy of his being there. I can see him there still, on my rug, in the firelight and his spotted jacket, his fine clear face all bright with the desire to be tender to my youth. I don't know what he had at first meant to say, but I think the sight of my relief touched him, excited him, brought up words to his lips from far within. It was so these words presently conveyed to me something that, as I afterwards knew, he had never uttered to any one. I've always done justice to the generous impulse that made him speak; it was simply compunction for a snub unconsciously administered to a man of letters in a position inferior to his own, a man of letters moreover in the very act of praising him. To make

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Baby Mine by Margaret Mayo:

turn in too suddenly."

"We'd better keep him warm, hadn't we?" suggested Alfred, remembering Aggie's previous instructions on a similar occasion. "I'll put him in his crib," he decided, and thereupon he made a quick move toward the bassinette.

Staggering back from the cradle with the unsteadiness of a drunken man Alfred called upon the Diety. "What is THAT?" he demanded as he pointed toward the unexpected object before him.

Neither Zoie, Aggie, nor Jimmy could command words to assist Alfred's rapidly waning powers of comprehension, and it was not until he had swept each face for the third time with a look of

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Louis Lambert by Honore de Balzac:

conclusions in favor of his own."

I need say nothing of his views on poetry or history, nor of his judgment on the masterpieces of our language. There would be little interest in the record of opinions now almost universally held, though at that time, from the lips of a boy, they might seem remarkable. Louis was capable of the highest flights. To give a notion of his talents in a few words, he could have written /Zadig/ as wittily as Voltaire; he could have thought out the dialogue between Sylla and Eucrates as powerfully as Montesquieu. His rectitude of character made him desire above all else in a work that it should bear the stamp of utility; at the same time, his refined taste demanded novelty of


Louis Lambert
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from U. S. Project Trinity Report by Carl Maag and Steve Rohrer:

detonation. With the exception of a few men holding the ropes of barrage balloons or guiding cameras to follow the fireball as it ascended, all shelter personnel were in or behind the shelters. Some left the shelters after the initial flash to view the fireball. As a precautionary measure, they had been advised to lie on the ground before the blast wave arrived. Project personnel located beyond the shelters, such as at the Base Camp and on Compania Hill, were also instructed to lie on the ground or in a depression until the blast wave had passed (1). However, the blast wave at these locations was not as strong as had been expected.

In order to prevent eye damage, Dr. Bainbridge ordered the