| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from An Inland Voyage by Robert Louis Stevenson: looking old man. He kept mumbling prayers with his lips; but as he
looked upon me darkling, it did not seem as if prayer were
uppermost in his heart. Two others, who bore the burthen of the
chaunt, were stout, brutal, military-looking men of forty, with
bold, over-fed eyes; they sang with some lustiness, and trolled
forth 'Ave Mary' like a garrison catch. The little girls were
timid and grave. As they footed slowly up the aisle, each one took
a moment's glance at the Englishman; and the big nun who played
marshal fairly stared him out of countenance. As for the
choristers, from first to last they misbehaved as only boys can
misbehave; and cruelly marred the performance with their antics.
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Republic by Plato: source of the greatest good to the State?
Certainly.
And this agrees with the other principle which we were affirming,--that the
guardians were not to have houses or lands or any other property; their pay
was to be their food, which they were to receive from the other citizens,
and they were to have no private expenses; for we intended them to preserve
their true character of guardians.
Right, he replied.
Both the community of property and the community of families, as I am
saying, tend to make them more truly guardians; they will not tear the city
in pieces by differing about 'mine' and 'not mine;' each man dragging any
 The Republic |
| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Robinson Crusoe by Daniel Defoe: not God to know you; for He knows you already, and every thought in
your heart.
WIFE. - Why, then, He know what I say to you now: He know me wish
to know Him. How shall me know who makee me?
W.A. - Poor creature, He must teach thee: I cannot teach thee. I
will pray to Him to teach thee to know Him, and forgive me, that am
unworthy to teach thee.
[The poor fellow was in such an agony at her desiring him to make
her know God, and her wishing to know Him, that he said he fell
down on his knees before her, and prayed to God to enlighten her
mind with the saving knowledge of Jesus Christ, and to pardon his
 Robinson Crusoe |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Deserted Woman by Honore de Balzac: which may serve as a sample of the epistolary style peculiar to
lovers, a performance which, like the drawings prepared with great
secrecy by children for the birthdays of father or mother, is found
insufferable by every mortal except the recipients:--
"MADAME,--Your power over my heart, my soul, myself, is so great
that my fate depends wholly upon you to-day. Do not throw this
letter into the fire; be so kind as to read it through. Perhaps
you may pardon the opening sentence when you see that it is no
commonplace, selfish declaration, but that it expresses a simple
fact. Perhaps you may feel moved, because I ask for so little, by
the submission of one who feels himself so much beneath you, by
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