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Today's Stichomancy for Julia Roberts

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Witch, et. al by Anton Chekhov:

lay down almost in the doorway so that the moonlight fell full upon her.

She did not sleep, but breathed heavily, tossing from side to side with the heat, throwing off almost all the bedclothes. And in the magic moonlight what a beautiful, what a proud animal she was! A little time passed, and then steps were heard again: the old father, white all over, appeared in the doorway.

"Aksinya," he called, " are you here?"

"Well?" she responded angrily.

"I told you just now to throw the money into the well, have you done so?"

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from House of Mirth by Edith Wharton:

her side.

"How fast you walk!" he remarked. "I thought I should never catch up with you."

She answered gaily: "You must be quite breathless! I've been sitting under that tree for an hour."

"Waiting for me, I hope?" he rejoined; and she said with a vague laugh:

"Well--waiting to see if you would come."

"I seize the distinction, but I don't mind it, since doing the one involved doing the other. But weren't you sure that I should come?"

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Adventure by Jack London:

argued that she was at least a little bit more intelligent than they, and that, therefore, there was less liability of an accident if she did the shooting. She was to him the most masculine and at the same time the most feminine woman he had ever met.

A source of continual trouble between them was the disagreement over methods of handling the black boys. She ruled by stern kindness, rarely rewarding, never punishing, and he had to confess that her own sailors worshipped her, while the house-boys were her slaves, and did three times as much work for her as he had ever got out of them. She quickly saw the unrest of the contract labourers, and was not blind to the danger, always imminent, that both she and

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Kwaidan by Lafcadio Hearn:

of the first month (by the old lunar calendar),-- and only upon that day. Thus the time of its flowering is the Period of Great Cold,-- though the natural habit of a cherry-tree is to wait for the spring season before venturing to blossom. But the Jiu-roku-zakura blossoms with a life that is not -- or, at least, that was not originally -- its own. There is the ghost of a man in that tree.

He was a samurai of Iyo; and the tree grew in his garden; and it used to flower at the usual time,-- that is to say, about the end of March or the beginning of April. He had played under that tree when he was a child; and his parents and grandparents and ancestors had hung to its blossoming branches, season after season for more than a hundred years, bright strips


Kwaidan