The first excerpt represents the past or something you must release, and is drawn from The Monster Men by Edgar Rice Burroughs: The storm had ceased and as the daylight brought the
surroundings to view Number Thirteen became aware that
he was not alone in the campong. All about him lay the
eleven terrible men whom he had driven from the bungalow
the previous night. The sight of them brought a
realization of new responsibilities. To leave them
here in the campong would mean the immediate death of
Professor Maxon and the Chinaman. To turn them into
the jungle might mean a similar fate for Virginia Maxon
were she wandering about in search of the encampment--
Number Thirteen could not believe that she was dead.
 The Monster Men |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Venus and Adonis by William Shakespeare: Nor thy soft hands, sweet lips, and crystal eyne,
Whose full perfection all the world amazes;
But having thee at vantage, wondrous dread!
Would root these beauties as he roots the mead.
'O! let him keep his loathsome cabin still; 637
Beauty hath nought to do with such foul fiends:
Come not within his danger by thy will;
They that thrive well take counsel of their friends.
When thou didst name the boar, not to dissemble,
I fear'd thy fortune, and my joints did tremble.
'Didst thou not mark my face? was it not white?
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The third excerpt represents the future or something you must embrace, and is drawn from Heroes by Charles Kingsley: Then Theseus grew red, and his ears tingled, and his heart
beat loud in his bosom. And he stood awhile like a tall
stone pillar on the cliffs above some hero's grave; and at
last he spoke -
'Therefore all the more I will go with them, and slay the
accursed beast. Have I not slain all evil-doers and
monsters, that I might free this land? Where are Periphetes,
and Sinis, and Kerkuon, and Phaia the wild sow? Where are
the fifty sons of Pallas? And this Minotaur shall go the
road which they have gone, and Minos himself, if he dare stay
me.'
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