| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Prince of Bohemia by Honore de Balzac: and more than I should wish in brilliant and generous natures; it is
gallantry after the fashion of the Marechal de Richelieu, high spirits
and frolic carried rather too far; perhaps we may see in it the
/outrances/ of another age, the Eighteenth Century pushed to extremes;
it harks back to the Musketeers; it is an exploit stolen from
Champcenetz; nay, such light-hearted inconstancy takes us back to the
festooned and ornate period of the old court of the Valois. In an age
as moral as the present, we are bound to regard audacity of this kind
sternly; still, at the same time that 'cornet of sugar-plums' may
serve to warn young girls of the perils of lingering where fancies,
more charming than chastened, come thickly from the first; on the rosy
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The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Agesilaus by Xenophon: his boyhood upwards, thirsted for glory, and beyond all contemporary
names won what he desired; who, being gifted with a nature most
emulous of honour, remained from the moment he was king unconquered;
who attained the fullest term of mortal life and died without
offence[4] committed, whether as concerning those at whose head he
marched, or as towards those others against whom he fought in war.
[3] See Symonds' "Greek Poets," ch. v.
[4] As to the word {anamartetos} so translated, see Breitenbach, Exc.
ad x. 4 of his edition.
XI
It only remains for me, under the form of headings,[1] to review the
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