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Today's Stichomancy for Julia Roberts

The first excerpt represents the past or something you must release, and is drawn from The United States Bill of Rights:

in the land or naval forces, or in the Militia, when in actual service in time of War or public danger; nor shall any person be subject for the same offense to be twice put in jeopardy of life or limb; nor shall be compelled in any criminal case to be a witness against himself, nor be deprived of life, liberty, or property, without due process of law; nor shall private property be taken for public use without just compensation.

VI

In all criminal prosecutions, the accused shall enjoy the right to a speedy and public trial, by an impartial jury of the State and district wherein the crime shall have been committed, which district shall have been previously ascertained by law, and to be informed of the nature

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Glaucus/The Wonders of the Shore by Charles Kingsley:

will not hold good; for though Radiates similar to these were among the earliest tenants of the abyss, yet as early as their time, perhaps even before them, had been conceived and actualized, in the sharks, and in Mr. Hugh Miller's pets the old red sandstone fishes, that very true vertebrate skull and brain, of which this is a mere mockery. (14) Here the whole animal, with his extraordinary feeding mill, (for neither teeth nor jaws is a fit word for it,) is enclosed within an ever-growing limestone castle, to the architecture of which the Eddystone and the Crystal Palace are bungling heaps; without arms or legs, eyes or ears, and yet capable, in spite of his perpetual imprisonment, of walking,

The third excerpt represents the future or something you must embrace, and is drawn from The Underdogs by Mariano Azuela:

beside him, his chest riddled with bullets. Meco hurtles over the precipice, bounding from rock to rock.

Suddenly, Demetrio finds himself alone. Bullets whiz past his ears like hail. He dismounts and crawls over the rocks, until he finds a parapet: he lays down a stone to protect his head and, lying flat on the ground, begins to shoot.

The enemy scatter in all directions, pursuing the few fugitives hiding in the brush. Demetrio aims; he does not waste a single shot.

His famous marksmanship fills him with joy. Where


The Underdogs