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Today's Stichomancy for Karl Marx

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Cratylus by Plato:

the ear of posterity. Two causes may be assigned for this obscurity: 1st, the subtlety and allusiveness of this species of composition; 2nd, the difficulty of reproducing a state of life and literature which has passed away. A satire is unmeaning unless we can place ourselves back among the persons and thoughts of the age in which it was written. Had the treatise of Antisthenes upon words, or the speculations of Cratylus, or some other Heracleitean of the fourth century B.C., on the nature of language been preserved to us; or if we had lived at the time, and been 'rich enough to attend the fifty-drachma course of Prodicus,' we should have understood Plato better, and many points which are now attributed to the extravagance of Socrates' humour would have been found, like the allusions of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Island of Doctor Moreau by H. G. Wells:

disappeared among the bushes. Then I turned to the black heaps upon the ground.

Montgomery lay on his back, with the hairy-grey Beast-man sprawling across his body. The brute was dead, but still gripping Montgomery's throat with its curving claws. Near by lay M'ling on his face and quite still, his neck bitten open and the upper part of the smashed brandy-bottle in his hand. Two other figures lay near the fire,--the one motionless, the other groaning fitfully, every now and then raising its head slowly, then dropping it again.

I caught hold of the grey man and pulled him off Montgomery's body;


The Island of Doctor Moreau
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from In Darkest England and The Way Out by General William Booth:

victims in every land.

It is of little service denouncing these extortioners. They have always existed, and probably always will; but what we can do is to circumscribe the range of their operations and the number of their victims. This can only be done by a legitimate and merciful provision for these poor creatures in their hours of desperate need, so as to prevent their falling into the hands of these remorseless wretches, who have wrecked the fortunes of thousands, and driven many a decent man to suicide or a premature grave.

There are endless ramifications of this principle, which do not need to be described here, but before leaving the subject I may allude to an


In Darkest England and The Way Out
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Juana by Honore de Balzac:

have been arrested?"

Juana laid the cross on the table, and sprang to the windows that looked on the street. There she saw, in the moonlight, a file of soldiers posting themselves in deepest silence along the wall of the house. She turned, affecting to be calm, and said to her husband:--

"You have not a minute to lose; you must escape through the garden. Here is the key of the little gate."

As a precaution she turned to the other windows, looking on the garden. In the shadow of the trees she saw the gleam of the silver lace on the hats of a body of gendarmes; and she heard the distant mutterings of a crowd of persons whom sentinels were holding back at