| The first excerpt represents the past or something you must release, and is drawn from Astoria by Washington Irving: promise, is prone to prove the greatest "take in." Besides, the
Northwest Company, who maintained a long established control at
Montreal, and knew the qualities of every voyageur, secretly
interdicted the prime hands from engaging in this new service; so
that, although liberal terms were offered, few presented
themselves but such as were not worth having.
From these Mr. Hunt engaged a number sufficient, as he supposed,
for present purposes; and, having laid in a supply of ammunition,
provisions, and Indian goods, embarked all on board one of those
great canoes at that time universally used by the fur traders for
navigating the intricate and often-obstructed rivers. The canoe
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Taming of the Shrew by William Shakespeare: burst, and now repaired with knots; one girth six times pieced,
and a woman's crupper of velure, which hath two letters for her
name fairly set down in studs, and here and there pieced with
pack-thread.
BAPTISTA.
Who comes with him?
BIONDELLO.
O, sir! his lackey, for all the world caparisoned like
the horse; with a linen stock on one leg and a kersey boot-hose
on the other, gartered with a red and blue list; an old hat, and
the 'humour of forty fancies' prick'd in't for a feather: a
 The Taming of the Shrew |
The third excerpt represents the future or something you must embrace, and is drawn from Othello by William Shakespeare: out the worke? A likely piece of worke, that you should
finde it in your Chamber, and know not who left it there.
This is some Minxes token, & I must take out the worke?
There, giue it your Hobbey-horse, wheresoeuer you had
it, Ile take out no worke on't
Cassio. How now, my sweete Bianca?
How now? How now?
Othe. By Heauen, that should be my Handkerchiefe
Bian. If you'le come to supper to night you may, if
you will not come when you are next prepar'd for.
Exit
 Othello |