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Today's Stichomancy for Keanu Reeves

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Enoch Arden, &c. by Alfred Tennyson:

Trying his truth and his long-sufferance, Till half-another year had slipt away.

By this the lazy gossips of the port, Abhorrent of a calculation crost, Began to chafe as at a personal wrong. Some thought that Philip did but trifle with her; Some that she but held off to draw him on; And others laugh'd at her and Philip too, As simple folks that knew not their own minds; And one, in whom all evil fancies clung Like serpent eggs together, laughingly

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Man against the Sky by Edwin Arlington Robinson:

Of what we owe to fifty years. His cleansing heritage of taste Paraded neither want nor waste; And what he needed for his fee To live, he borrowed graciously.

He never told us what he was, Or what mischance, or other cause, Had banished him from better days To play the Prince of Castaways. Meanwhile he played surpassing well A part, for most, unplayable;

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Amazing Interlude by Mary Roberts Rinehart:

time, and that there was no hope for a captured spy.

"And - Jean?"

They did not know of Jean; so she told them, still in that far-away voice. And at last Mrs. Travers brought an early letter of Mrs. Cameron's and read a part of it aloud.

"He seems to have been delirious," she read, holding her reading glasses to her eyes. "A friend of his, very devoted to him, was missing, and he learned this somehow.

"He escaped from the hospital and got away in an ambulance. He came straight here and wakened us. There had been a wounded man in the machine, and he left him on our doorstep. When I got to the door the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Sesame and Lilies by John Ruskin:

quite impossible; but it is only so far even difficult as it is difficult to conquer our vanity, frivolity, and desire to appear what we are not. And it is not, nor ever shall be, creed of mine, that these mean and shallow vices are unconquerable by Christian women.

And then, thirdly, lodging people, which you may think should have been put first, but I put it third, because we must feed and clothe people where we find them, and lodge them afterwards. And providing lodgment for them means a great deal of vigorous legislature, and cutting down of vested interests that stand in the way, and after that, or before that, so far as we can get it, thorough sanitary and