The first excerpt represents the past or something you must release, and is drawn from Sylvie and Bruno by Lewis Carroll: surprised it out of me. And I've not breathed a word of it to any one
else. But I can trust you with a secret, old friend! Yes! It's true of
me, what I suppose you said in jest.
"In the merest jest, believe me!" I said earnestly. "Why, man, I'm
three times her age! But if she's your choice, then I'm sure she's all
that is good and--"
"--and sweet," Arthur went on, "and pure, and self-denying, and
true-hearted, and--" he broke off hastily, as if he could not trust
himself to say more on a subject so sacred and so precious.
Silence followed: and I leaned back drowsily in my easy-chair,
filled with bright and beautiful imaginings of Arthur and his lady-love,
Sylvie and Bruno |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Communist Manifesto by Karl Marx: social status in production. Capital is a collective product,
and only by the united action of many members, nay, in the last
resort, only by the united action of all members of society,
can it be set in motion.
Capital is, therefore, not a personal, it is a social power.
When, therefore, capital is converted into common property, into
the
property of all members of society, personal property is not
thereby
transformed into social property. It is only the social
character of
The Communist Manifesto |
The third excerpt represents the future or something you must embrace, and is drawn from Secret Adversary by Agatha Christie: from behind the clouds. I was scared the woman would catch sight
of me, for I was full in the moonlight. I tried to move back a
bit. The jerk I gave was too much for that rotten old branch.
With an almighty crash, down it came, and Julius P. Hersheimmer
with it!"
"Oh, Julius," breathed Tuppence, "how exciting! Go on."
"Well, luckily for me, I pitched down into a good soft bed of
earth--but it put me out of action for the time, sure enough. The
next thing I knew, I was lying in bed with a hospital nurse (not
Whittington's one) on one side of me, and a little black-bearded
man with gold glasses, and medical man written all over him, on
Secret Adversary |