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Today's Stichomancy for Kelly Hu

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Footnote to History by Robert Louis Stevenson:

in his teeth. Leary, besides, had marines under arms, ready to land them if it should be necessary to protect the work. But Becker looked on without interference, perhaps glad enough to have the bridge repaired; for even Becker may not always have offended intentionally. Such was now the distracted posture of the little town: all government extinct, the German consul patrolling it with armed men and issuing proclamations like a ruler, the two other Powers defying his commands, and at least one of them prepared to use force in the defiance. Close on its skirts sat the warriors of Mataafa, perhaps four thousand strong, highly incensed against the Germans, having all to gain in the seizure of the town and firm,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Atheist's Mass by Honore de Balzac:

Isolated during his life by his egoism, that egoism is now suicidal of his glory. On his tomb there is no proclaiming statue to repeat to posterity the mysteries which genius seeks out at its own cost.

But perhaps Desplein's genius was answerable for his beliefs, and for that reason mortal. To him the terrestrial atmosphere was a generative envelope; he saw the earth as an egg within its shell; and not being able to determine whether the egg or the hen first was, he would not recognize either the cock or the egg. He believed neither in the antecedent animal nor the surviving spirit of man. Desplein had no doubts; he was positive. His bold

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from 20,000 Leagues Under the Sea by Jules Verne:

I was groping my way, when I suddenly saw a brilliant white light. Captain Nemo had just put his electric apparatus into use; his companion did the same, and Conseil and I followed their example. By turning a screw I established a communication between the wire and the spiral glass, and the sea, lit by our four lanterns, was illuminated for a circle of thirty-six yards.

As we walked I thought the light of our Ruhmkorff apparatus could not fail to draw some inhabitant from its dark couch. But if they did approach us, they at least kept at a respectful distance from the hunters. Several times I saw Captain Nemo stop, put his gun to his shoulder,


20,000 Leagues Under the Sea
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from A Drama on the Seashore by Honore de Balzac:

"'Here,' said Pierre, 'is a piece of paper which wrapped a Spanish gold piece. That piece of gold was in your mother's bed; she alone knew where it was. I found that paper in the water when I landed here to-day. You gave a piece of Spanish gold this night to Mere Fleurant, and your mother's piece is no longer in her bed. Explain all this.'

"Jacques said he had not taken his mother's money, and that the gold piece was one he had brought from Nantes.

"'I am glad of it,' said Pierre; 'now prove it.'

"'I had it all along.'

"'You did not take the gold piece belonging to your mother?'

"'No.'