| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from To the Lighthouse by Virginia Woolf: tall brandishing red and yellow flowers a very thin yellow veil would
be drawn, like a vine leaf, at night. Things became stiller and darker
at night. But the leaf-like veil was so fine, that lights lifted it,
voices crinkled it; he could see through it a figure stooping, hear,
coming close, going away, some dress rustling, some chain tinkling.
It was in this world that the wheel went over the person's foot.
Something, he remembered, stayed flourished up in the air, something
arid and sharp descended even there, like a blade, a scimitar, smiting
through the leaves and flowers even of that happy world and making it
shrivel and fall.
"It will rain," he remembered his father saying. "You won't be able to
 To the Lighthouse |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot: so to speak, one has to devise some other means of ascertaining
what I may call their invisible Irregularity, that is to say
their potential Irregularities as regards possible offspring.
This is effected by carefully-kept pedigrees, which are preserved
and supervised by the State; and without a certified pedigree
no Woman is allowed to marry.
Now it might have been supposed that a Circle -- proud of his ancestry
and regardful for a posterity which might possibly issue hereafter
in a Chief Circle -- would be more careful than any other to choose
a wife who had no blot on her escutcheon. But it is not so.
The care in choosing a Regular wife appears to diminish as one rises
 Flatland: A Romance of Many Dimensions |