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Today's Stichomancy for Kid Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Lock and Key Library by Julian Hawthorne, Ed.:

"Don't let anyone be in the same room with you at night,--you talk in your sleep." And again: "What's done can't be undone; and I tell you there's nothing against us unless the dead could come to life." Here there was underlined in a better handwriting (a female's), "They do!" At the end of the letter latest in date the same female hand had written these words: "Lost at sea the 4th of June, the same day as--"

I put down the letters, and began to muse over their contents.

Fearing, however, that the train of thought into which I fell might unsteady my nerves, I fully determined to keep my mind in a fit state to cope with whatever of marvelous the advancing night might

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Adieu by Honore de Balzac:

had so decimated the hapless wretches lying on the banks of the river. A few moments later, the gallop of two horses echoed over the snow, and the wakened artillery men poured out a volley which ranged above the heads of the sleeping men. The pace of the horses was so fleet that their steps resounded like the blows of a blacksmith on his anvil. The generous aide-de-camp was killed. The athletic grenadier was safe and sound. Philippe in defending Hippolyte had received a bayonet in his shoulder; but he clung to his horse's mane, and clasped him so tightly with his knees that the animal was held as in a vice.

"God be praised!" cried the major, finding his orderly untouched, and the carriage in its place.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Myths and Myth-Makers by John Fiske:

whence probably came the primitive Aryans, might throw some new light on the origin of language. Nothing could well be more futile. The primitive Aryan language has already been partly reconstructed for us; its grammatical forms and syntactic devices are becoming familiar to scholars; one great philologist has even composed a tale in it; yet in studying this long-buried dialect we are not much nearer the first beginnings of human speech than in studying the Greek of Homer, the Sanskrit of the Vedas, or the Umbrian of the Igovine Inscriptions. The Aryan mother-tongue had passed into the last of the three stages of linguistic growth long before


Myths and Myth-Makers
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Village Rector by Honore de Balzac:

next regretted the money spent on the house, and he ordered the furniture to be all packed away or covered up. His wife's bedroom, dressing-room, and boudoir were alone spared from these protective measures; which protect nothing, for furniture is injured just as much by being covered up as by being left uncovered. Graslin himself lived almost entirely on the ground-floor of the house, where he had his office, and resumed his old business habits with avidity. He thought himself an excellent husband because he went upstairs to breakfast and dined with his wife; but his unpunctuality was so great that it was not more than ten times a month that he began a meal with he; he had exacted, out of courtesy, that she should never wait for him.