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Today's Stichomancy for Kid Rock

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Schoolmistress and Other Stories by Anton Chekhov:

shut the door: they were cold, and it was too much trouble.

"I am all right," said Semyon as he began to doze. "I wouldn't wish anyone a better life."

"You are a tough one, we all know. Even the devils won't take you!"

Sounds like a dog's howling came from outside.

"What's that? Who's there?"

"It's the Tatar crying."

"I say. . . . He's a queer one!"

"He'll get u-used to it!" said Semyon, and at once fell asleep.

The others were soon asleep too. The door remained unclosed.


The Schoolmistress and Other Stories
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Research Magnificent by H. G. Wells:

most awful lunch! The vilest horse! Most dangerous! Abominable trick! Understand?"

The landlord made deprecatory gestures.

"YOU understand all right," said Benham. "Da me il argento per il carozzo. Subito?" *

* "Give me back the money for the carriage. QUICKLY!"

The landlord was understood to ask whether the signor no longer wished for the carriage.

"SUBITO!" cried Benham, and giving way to a long-restrained impulse seized the padrone by the collar of his coat and shook him vigorously.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

about a god, and have therefore rejected every consideration of fact, tradition, or interpretation, that pointed to any human imperfection in their hero. They thus leave themselves with so little material that they are forced to begin by saying that we know very little about Shakespear. As a matter of fact, with the plays and sonnets in our hands, we know much more about Shakespear than we know about Dickens or Thackeray: the only difficulty is that we deliberately suppress it because it proves that Shakespear was not only very unlike the conception of a god current in Clapham, but was not, according to the same reckoning, even a respectable man. The academic view starts with a Shakespear who was not scurrilous; therefore the verses about "lousy

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Lily of the Valley by Honore de Balzac:

into four great farms, two of which still needed new houses, was capable of bringing in forty thousand francs a year, ten thousand for each farm, not counting the yield of the vineyards, and the two hundred acres of woodland which adjoined them, nor the profits of the model home-farm. The roads to the great farms all opened on an avenue which followed a straight line from Clochegourde to the main road leading to Chinon. The distance from the entrance of this avenue to Tours was only fifteen miles; tenants would never be wanting, especially now that everybody was talking of the count's improvements and the excellent condition of his land.

The countess wished to put some fifteen thousand francs into each of


The Lily of the Valley