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Today's Stichomancy for Kirk Douglas

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Herodias by Gustave Flaubert:

sandalwood, whose capitals were of sculptured bonze. On each side of the apartment was a gallery for spectators, and a third, with a facade of gold filigree, was at one end, opposite an immense arch at the other.

The candelabra burning on the tables, which were spread the whole length of the banqueting-hall, glowed like clusters of flaming flowers among the painted cups, the plates of shining copper, the cubes of snow and heaps of luscious grapes. Through the large windows the guests could see lighted torches on the terraces of the neighbouring houses; for this night Antipas was giving a feast to his friends, his own people, and to anyone that presented himself at the castle.


Herodias
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

but as often as not it was some interesting married woman.

For two consecutive seasons he lived in the sunlight of Mademoiselle Duvigne's presence. But she died between summers; then Robert posed as an inconsolable, prostrating himself at the feet of Madame Ratignolle for whatever crumbs of sympathy and comfort she might be pleased to vouchsafe.

Mrs. Pontellier liked to sit and gaze at her fair companion as she might look upon a faultless Madonna.

"Could any one fathom the cruelty beneath that fair exterior?" murmured Robert. "She knew that I adored her once, and she let me adore her. It was `Robert, come; go; stand up; sit down; do this;


Awakening & Selected Short Stories
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Illustrious Gaudissart by Honore de Balzac:

himself, an unbelieving priest of mysteries and dogmas, which he expounds all the better for his want of faith. Curious being! He has seen everything, known everything, and is up in all the ways of the world. Soaked in the vices of Paris, he affects to be the fellow-well- met of the provinces. He is the link which connects the village with the capital; though essentially he is neither Parisian nor provincial, --he is a traveller. He sees nothing to the core: men and places he knows by their names; as for things, he looks merely at their surface, and he has his own little tape-line with which to measure them. His glance shoots over all things and penetrates none. He occupies himself with a great deal, yet nothing occupies him.

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Wheels of Chance by H. G. Wells:

the very earliest opportunity. His entire life, you must understand, was not a continuous romance, but a series of short stories linked only by the general resemblance of their hero, a brown-haired young fellow commonly, with blue eyes and a fair moustache, graceful rather than strong, sharp and resolute rather than clever (cp., as the scientific books say, p. 2). Invariably this person possessed an iron will. The stories fluctuated indefinitely. The smoking of a cigarette converted Hoopdriver's hero into something entirely worldly, subtly rakish, with a humorous twinkle in the eye and some gallant sinning in the background. You should have seen Mr. Hoopdriver promenading the