| The first excerpt represents the past or something you must release, and is drawn from She Stoops to Conquer by Oliver Goldsmith: MISS HARDCASTLE. Then go, sir: I'll urge nothing more to detain you.
Though my family be as good as hers you came down to visit, and my
education, I hope, not inferior, what are these advantages without
equal affluence? I must remain contented with the slight approbation
of imputed merit; I must have only the mockery of your addresses, while
all your serious aims are fixed on fortune.
Enter HARDCASTLE and SIR CHARLES from behind.
SIR CHARLES. Here, behind this screen.
HARDCASTLE. Ay, ay; make no noise. I'll engage my Kate covers him
with confusion at last.
MARLOW. By heavens, madam! fortune was ever my smallest
 She Stoops to Conquer |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Dream Life and Real Life by Olive Schreiner: his own soul? Do you realize that the end of marriage is to make the man
and woman stronger than they were; and that if you cannot, when you are an
old man and woman and sit by the fire, say, 'Life has been a braver and a
freer thing for us, because we passed it hand in hand, than if we had
passed through it alone,' it has failed? Do you care for him enough to
live for him, not tomorrow, but when he is an old, faded man, and you an
old, faded woman? Can you forgive him his sins and his weaknesses, when
they hurt you most? If he were to lie a querulous invalid for twenty
years, would you be able to fold him in your arms all that time, and
comfort him, as a mother comforts her little child?" The woman drew her
breath heavily.
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The third excerpt represents the future or something you must embrace, and is drawn from The Copy-Cat & Other Stories by Mary E. Wilkins Freeman: ing furrows like plowshares of grief. He feared lest
he might have killed his aunt Janet. Women, and
not very young women, might presumably be un-
able to survive such rough usage as very tough
and at the same time very limber little boys, and
he loved his poor aunt Janet. He grieved because
of his aunt, his parents, his uncle, and rather more
particularly because of himself. He was quite sure
that the policeman was coming for him. Logic had
no place in his frenzied conclusions. He did not
consider how the tragedy had taken place entirely
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