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Today's Stichomancy for Kurt Goedel

The first excerpt represents the past or something you must release, and is drawn from The Sportsman by Xenophon:

and halloa thundering at her heels. When she is fairly entangled, he is to calm the fury of the hounds, without touching them, by soothing, encouraging tones. He is also to signal to the huntsman with a shout, that the quarry is taken, or has escaped this side or that, or that he has not seen it, or where he last caught sight of it.[16]

[16] Or, "'caught,' 'escaped,' (this side or that), 'not seen,' 'marked.'"

The sportsman himself should sally forth in a loose, light hunting dress,[17] and footgear[18] to match; he should carry a stout stick in his hand, the net-keeper following. They should proceed to the hunting-field in silence, to prevent the hare, if by chance there

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Pride and Prejudice by Jane Austen:

"Perhaps he must, if he sees enough of her. But, though Bingley and Jane meet tolerably often, it is never for many hours together; and, as they always see each other in large mixed parties, it is impossible that every moment should be employed in conversing together. Jane should therefore make the most of every half-hour in which she can command his attention. When she is secure of him, there will be more leisure for falling in love as much as she chooses."

"Your plan is a good one," replied Elizabeth, "where nothing is in question but the desire of being well married, and if I were determined to get a rich husband, or any husband, I dare say I


Pride and Prejudice
The third excerpt represents the future or something you must embrace, and is drawn from The Memorabilia by Xenophon:

[2] Or, "try to turn out their pupils as copies of themselves."

[3] See Arist. "Clouds," {on o kakodaimon Sokrates kai Khairephon}.

Thus challenged, Socrates replied: One thing to me is certain, Antiphon; you have conceived so vivid an idea of my life of misery that for yourself you would choose death sooner than live as I do. Suppose now we turn and consider what it is you find so hard in my life. Is it that he who takes payment must as a matter of contract finish the work for which he is paid, whereas I, who do not take it, lie under no constraint to discourse except with whom I choose? Do you despise my dietary on the ground that the food which I eat is less wholesome and less stengthening than yours, or that the articles of my


The Memorabilia