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Today's Stichomancy for L. Ron Hubbard

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Adieu by Honore de Balzac:

to continue their way on foot.

"Who is that lady?" asked the marquis, signing toward the unknown woman.

"I believe she comes from Moulins," replied Monsieur de Granville. "She is the Comtesse de Vandieres, and they say she is mad; but as she has only been here two months I will not vouch for the truth of these hearsays."

Monsieur d'Albon thanked his friends, and placing the colonel in the carriage, started with him for Cassan.

"It is she!" cried Philippe, recovering his senses.

"Who is she?" asked d'Albon.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Virginibus Puerisque by Robert Louis Stevenson:

pious memory; and we please ourselves with the fancy that we shall repeat many vivid and pleasurable sensations, and take up again the thread of our enjoyment in the same spirit as we let it fall. We shall now have an opportunity of finishing many pleasant excursions, interrupted of yore before our curiosity was fully satisfied. It may be that we have kept in mind, during all these years, the recollection of some valley into which we have just looked down for a moment before we lost sight of it in the disorder of the hills; it may be that we have lain awake at night, and agreeably tantalised ourselves with the thought of corners we had never turned, or

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Arrow of Gold by Joseph Conrad:

rather - that Villa was like a Salade Russe of styles) and introduced me into a big, light room full of very modern furniture. The portrait en pied of an officer in a sky-blue uniform hung on the end wall. The officer had a small head, a black beard cut square, a robust body, and leaned with gauntleted hands on the simple hilt of a straight sword. That striking picture dominated a massive mahogany desk, and, in front of this desk, a very roomy, tall-backed armchair of dark green velvet. I thought I had been announced into an empty room till glancing along the extremely loud carpet I detected a pair of feet under the armchair.

I advanced towards it and discovered a little man, who had made no


The Arrow of Gold
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Theaetetus by Plato:

SOCRATES: When I perceive I must become percipient of something--there can be no such thing as perceiving and perceiving nothing; the object, whether it become sweet, bitter, or of any other quality, must have relation to a percipient; nothing can become sweet which is sweet to no one.

THEAETETUS: Certainly not.

SOCRATES: Then the inference is, that we (the agent and patient) are or become in relation to one another; there is a law which binds us one to the other, but not to any other existence, nor each of us to himself; and therefore we can only be bound to one another; so that whether a person says that a thing is or becomes, he must say that it is or becomes to or of or in relation to something else; but he must not say or allow any one else