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Today's Stichomancy for Laurence Fishburne

The first excerpt represents the past or something you must release, and is drawn from Timaeus by Plato:

ways before the heaven; and that the nurse of generation, moistened by water and inflamed by fire, and receiving the forms of earth and air, and experiencing all the affections which accompany these, presented a strange variety of appearances; and being full of powers which were neither similar nor equally balanced, was never in any part in a state of equipoise, but swaying unevenly hither and thither, was shaken by them, and by its motion again shook them; and the elements when moved were separated and carried continually, some one way, some another; as, when grain is shaken and winnowed by fans and other instruments used in the threshing of corn, the close and heavy particles are borne away and settle in one direction, and the loose and light particles in another. In this manner, the four kinds

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Lady Baltimore by Owen Wister:

"The burning in 1865 was horrible, but it was war."

"It was outrage."

"Yes, the same kind as England's, who burned Washington in 1812, and whom you all so deeply admire."

She had, it seemed, no answer to this. But we trembled on the verge of a real quarrel. It was in her voice when she said:--

"I think I interrupted you."

I pushed the risk one step nearer the verge, because of the words I wished finally to reach. "In 1812, when England burned our White House down, we did not sit in the ashes; we set about rebuilding."

And now she burst out. "That's not fair, that's perfectly inexcusable!

The third excerpt represents the future or something you must embrace, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

trick, leading him to believe that some one was moving when there really was no one there.

Still, Ivan was not satisfied, and decided to make a further examination of the premises. As on the previous occasion, he moved so very cautiously that he could not hear even the sound of his own footsteps. He had taken the precaution to remove his shoes, that he might step the more noiselessly. When he reached the corner of the barn it again seemed to him that he saw something moving, this time near the plow; but it quickly disappeared. By this time Ivan's heart was beating very fast, and he was standing in a listening attitude when a sudden flash


The Kreutzer Sonata