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Today's Stichomancy for Laurence Fishburne

The first excerpt represents the past or something you must release, and is drawn from A Simple Soul by Gustave Flaubert:

spread out before them in a sort of giddy confusion.

When the heat was too oppressive, they remained in their rooms. The dazzling sunlight cast bars of light between the shutters. Not a sound in the village, not a soul on the sidewalk. This silence intensified the tranquility of everything. In the distance, the hammers of some calkers pounded the hull of a ship, and the sultry breeze brought them an odour of tar.

The principal diversion consisted in watching the return of the fishing-smacks. As soon as they passed the beacons, they began to ply to windward. The sails were lowered to one third of the masts, and with their fore-sails swelled up like balloons they glided over the


A Simple Soul
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Romeo and Juliet by William Shakespeare:

Still blush, as thinking their owne kisses sin. This may Flies doe, when I from this must flie, And saist thou yet, that exile is not death? But Romeo may not, hee is banished. Had'st thou no poyson mixt, no sharpe ground knife, No sudden meane of death, though nere so meane, But banished to kill me? Banished? O Frier, the damned vse that word in hell: Howlings attends it, how hast then the hart Being a Diuine, a Ghostly Confessor, A Sin-Absoluer, and my Friend profest:


Romeo and Juliet
The third excerpt represents the future or something you must embrace, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

child, and ties him to the wheel. The manufacturer--or I know not what secondary thread which sets in motion all these folk who with their foul hands mould and gild porcelain, sew coats and dresses, beat out iron, turn wood and steel, weave hemp, festoon crystal, imitate flowers, work woolen things, break in horses, dress harness, carve in copper, paint carriages, blow glass, corrode the diamond, polish metals, turn marble into leaves, labor on pebbles, deck out thought, tinge, bleach, or blacken everything--well, this middleman has come to that world of sweat and good-will, of study and patience, with promises of lavish wages, either in the name of the town's caprices or with the voice of the monster dubbed speculation. Thus, these


The Girl with the Golden Eyes