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Today's Stichomancy for Laurence Olivier

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Wrong Box by Stevenson & Osbourne:

Except on the really trifling point of the smuggling of the Hercules (and even of that I now humbly repent), my life has been entirely fit for publication. I never feared the light,' cried the little man; 'and now--now--!'

'Cheer up, old boy,' said Michael. 'I assure you we should count this little contretemps a trifle at the office; it's the sort of thing that may occur to any one; and if you're perfectly sure you had no hand in it--'

'What language am I to find--' began Pitman.

'O, I'll do that part of it,' interrupted Michael, 'you have no experience.' But the point is this: If--or rather since--you know

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Symposium by Plato:

force of nature can no further go, by way of contrast to this extreme idealism, Alcibiades, accompanied by a troop of revellers and a flute-girl, staggers in, and being drunk is able to tell of things which he would have been ashamed to make known if he had been sober. The state of his affections towards Socrates, unintelligible to us and perverted as they appear, affords an illustration of the power ascribed to the loves of man in the speech of Pausanias. He does not suppose his feelings to be peculiar to himself: there are several other persons in the company who have been equally in love with Socrates, and like himself have been deceived by him. The singular part of this confession is the combination of the most degrading passion with the desire of virtue and improvement.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Astoria by Washington Irving:

had married a woman of the tribe, and, in short, had identified himself with those vagrant savages.

Such was the worthy guide and interpreter, Edward Rose. We give his story, however, not as it was known to Mr. Hunt and his companions at the time, but as it has been subsequently ascertained. Enough was known of the fellow and his dark and perfidious character to put Mr. Hunt upon his guard: still, as there was no knowing how far his plans might have succeeded, and as any rash act might blow the mere smouldering sparks of treason into a sudden blaze, it was thought advisable by those with whom Mr. Hunt consulted, to conceal all knowledge or suspicion of the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Kwaidan by Lafcadio Hearn:

showed him to a very small side-room, where a bed had been made ready. Then all went to sleep except the priest, who began to read the sutras by the light of a paper lantern. Until a late hour he continued to read and pray: then he opened a little window in his little sleeping-room, to take a last look at the landscape before lying down. The night was beautiful: there was no cloud in the sky: there was no wind; and the strong moonlight threw down sharp black shadows of foliage, and glittered on the dews of the garden. Shrillings of crickets and bell-insects (3) made a musical tumult; and the sound of the neighboring cascade deepened with the night. Kwairyo felt thirsty as he listened to the noise of the water; and, remembering the bamboo aqueduct at the rear of the house, he thought that he could go there


Kwaidan