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Today's Stichomancy for Laurence Olivier

The first excerpt represents the past or something you must release, and is drawn from Merry Men by Robert Louis Stevenson:

Franchard. A casket came last, tightly shut and very heavy.

'O what fun!' he cried.

But when he looked back at the Doctor, who had followed close behind and was silently observing, the words died from his lips. Desprez was once more the colour of ashes; his lip worked and trembled; a sort of bestial greed possessed him.

'This is childish,' he said. 'We lose precious time. Back to the inn, harness the trap, and bring it to yon bank. Run for your life, and remember - not one whisper. I stay here to watch.'

Jean-Marie did as he was bid, though not without surprise. The noddy was brought round to the spot indicated; and the two

The second excerpt represents the present or the deciding factor of the moment, and is drawn from An Episode Under the Terror by Honore de Balzac:

have a very heavy account to render to the King of Heaven--Ah! yes," he added, with an eloquent shake of the head, "heavy indeed!--for by doing nothing they became accomplices in the awful wickedness----"

"But do you think that an indirect participation will be punished?" the stranger asked with a bewildered look. "There is the private soldier commanded to fall into line--is he actually responsible?"

The priest hesitated. The stranger was glad; he had put the Royalist precisian in a dilemma, between the dogma of passive obedience on the one hand (for the upholders of the Monarchy maintained that obedience was the first principle of military law), and the equally important dogma which turns respect for the person of a King into a matter of

The third excerpt represents the future or something you must embrace, and is drawn from Options by O. Henry:

eight-dollar flat. Some old horsehair lounges and three-legged chairs and some framed ancestors on the walls were all that met the eye. But when Colonel Allyn comes in, the place seemed to light up. You could almost hear a band playing, and see a bunch of old-timers in wigs and white stockings dancing a quadrille. It was the style of him, although he had on the same shabby clothes I saw him wear at the station.

"For about nine seconds he had me rattled, and I came mighty near getting cold feet and trying to sell him some plate-glass. But I got my nerve back pretty quick. He asked me to sit down, and I told him everything. I told him how I followed his daughter from Cincinnati,


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