| The first excerpt represents the past or something you must release, and is drawn from The Fall of the House of Usher by Edgar Allan Poe: of Gresset; the Belphegor of Machiavelli; the Heaven and
Hell of Swedenborg; the Subterranean Voyage of Nicholas Klimm by
Holberg; the Chiromancy of Robert Flud, of Jean D'Indagine,
and of De la Chambre; the Journey into the Blue Distance of
Tieck; and the City of the Sun by Campanella. One favourite
volume was a small octavo edition of the Directorium
Inquisitorum, by the Dominican Eymeric de Gironne; and there
were passages in Pomponius Mela, about the old African Satyrs
and OEgipans, over which Usher would sit dreaming for hours. His
chief delight, however, was found in the perusal of an
exceedingly rare and curious book in quarto Gothic--the manual of
The Fall of the House of Usher |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Blue Flower by Henry van Dyke: At their feasts I tasted ever the same food, and none that
made an end of hunger. In their talk I heard ever the same
words, and none that went to the depth of thought. The very
quietude and fixity of their being perplexed and estranged me.
What to them was permanent, to me was transient. They were
inhabitants: I was a visitor.
The one in all the city of Saloma with whom was most at home
was Ruamie, the little granddaughter of the old man with whom
I lodged. To her, a girl of thirteen, fair-eyed and full of
joy, the wonted round of life had not yet grown to be a matter of
course. She was quick to feel and answer the newness of every
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The third excerpt represents the future or something you must embrace, and is drawn from Little Britain by Washington Irving: is covered with inscriptions to catch the eye of the thirsty
wayfarer, such as "Truman, Hanbury, and Co.'s Entire," "Wine,
Rum, and Brandy Vaults," "Old Tom, Rum and Compounds,
etc." This indeed has been a temple of Bacchus and Momus
from time immemorial. It ha always been in the family of the
Wagstaffs, so that its history is tolerably preserved by the
present landlord. It was much frequented by the gallants and
cavalieros of the reign of Elizabeth, and was looked into now
and then by the wits of Charles the Second's day. But what
Wagstaff principally prides himself upon is, that Henry the
Eighth, in one of his nocturnal rambles, broke the head of one
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