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Today's Stichomancy for Leonard Cohen

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Father Damien by Robert Louis Stevenson:

nowhere in the world can a man taste a more pleasurable sense of contrast than when he passes from Damien's "Chinatown" at Kalawao to the beautiful Bishop-Home at Kalaupapa. At this point, in my desire to make all fair for you, I will break my rule and adduce Catholic testimony. Here is a passage from my diary about my visit to the Chinatown, from which you will see how it is (even now) regarded by its own officials: "We went round all the dormitories, refectories, etc. - dark and dingy enough, with a superficial cleanliness, which he" [Mr. Dutton, the lay-brother] "did not seek to defend. 'It is almost decent,' said he; 'the sisters will make that all right when we get them here.' " And yet I gathered it was

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Pupil by Henry James:

made plainer by the sidelight of these confidences. What came out in it most was the small fine passion of his pride. He had plenty of that, Pemberton felt - so much that one might perhaps wisely wish for it some early bruises. He would have liked his people to have a spirit and had waked up to the sense of their perpetually eating humble-pie. His mother would consume any amount, and his father would consume even more than his mother. He had a theory that Ulick had wriggled out of an "affair" at Nice: there had once been a flurry at home, a regular panic, after which they all went to bed and took medicine, not to be accounted for on any other supposition. Morgan had a romantic imagination, led by poetry and

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gone With the Wind by Margaret Mitchell:

jury. Yankee officers who knew nothing of law and cared less for the circumstances of the crime could go through the motions of holding a trial and put a rope around a Southerner's neck.

"What can we do?" she thought, wringing her hands in an agony of helpless fear. "What can we do with devils who'd hang a nice boy like Tony just for killing a drunken buck and a scoundrelly Scallawag to protect his women folks?"

"It isn't to be borne!" Tony had cried and he was right. It couldn't be borne. But what could they do except bear it, helpless as they were? She fell to trembling and, for the first time in her life, she saw people and events as something apart from herself,


Gone With the Wind
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Don Quixote by Miquel de Cervantes:

came in to see the man that he thought had been killed; and as Sancho caught sight of him at the door, seeing him coming in his shirt, with a cloth on his head, and a lamp in his hand, and a very forbidding countenance, he said to his master, "Senor, can it be that this is the enchanted Moor coming back to give us more castigation if there be anything still left in the ink-bottle?"

"It cannot be the Moor," answered Don Quixote, "for those under enchantment do not let themselves be seen by anyone."

"If they don't let themselves be seen, they let themselves be felt," said Sancho; "if not, let my shoulders speak to the point."

"Mine could speak too," said Don Quixote, "but that is not a


Don Quixote