| The first excerpt represents the past or something you must release, and is drawn from The Wrong Box by Stevenson & Osbourne: only the profits he managed to restrict. Nobody had ever made
money out of that concern except the capable Scot, who retired
(after his discharge) to the neighbourhood of Banff and built a
castle with his profits. The memory of this fallacious Caledonian
Morris would revile daily, as he sat in the private office
opening his mail, with old Joseph at another table, sullenly
awaiting orders, or savagely affixing signatures to he knew not
what. And when the man of the heather pushed cynicism so far as
to send him the announcement of his second marriage (to Davida,
eldest daughter of the Revd. Alexander McCraw), it was really
supposed that Morris would have had a fit.
|
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Tono Bungay by H. G. Wells: liberty to wear finery. And generally--freedom from restraint.
So that there might be a little diffculty perhaps to find a May
Queen here just at present who was really young and er--
pretty.... Of course I couldn't think of any of my girls--or
anything of that sort."
"We got to attract 'em back," said my uncle. "That's what I feel
about it. We got to Buck-Up the country. The English country is
a going concern still; just as the Established Church--if you'll
excuse me saying it, is a going concern. Just as Oxford is--or
Cambridge. Or any of those old, fine old things. Only it wants
fresh capital, fresh idees and fresh methods. Light railways,
|
The third excerpt represents the future or something you must embrace, and is drawn from The Jolly Corner by Henry James: and living in the joy of the instant, the supreme suspense created
by big game alone.
He wasn't afraid (though putting himself the question as he
believed gentlemen on Bengal tiger-shoots or in close quarters with
the great bear of the Rockies had been known to confess to having
put it); and this indeed - since here at least he might be frank! -
because of the impression, so intimate and so strange, that he
himself produced as yet a dread, produced certainly a strain,
beyond the liveliest he was likely to feel. They fell for him into
categories, they fairly became familiar, the signs, for his own
perception, of the alarm his presence and his vigilance created;
|