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Today's Stichomancy for Leonardo DiCaprio

The first excerpt represents the past or something you must release, and is drawn from Misalliance by George Bernard Shaw:

LORD SUMMERHAYS. _[shrinking]_ I beg you--no, please.

HYPATIA. Oh, it's nothing at all flattering: and, of course, nothing wrong, as I suppose youd call it.

LORD SUMMERHAYS. Please believe that I know that. When men of my age--

HYPATIA. _[impatiently]_ Oh, do talk about yourself when you mean yourself, and not about men of your age.

LORD SUMMERHAYS. I'll put it as bluntly as I can. When, as you say, I made an utter fool of myself, believe me, I made a poetic fool of myself. I was seduced, not by appetites which, thank Heaven, Ive long outlived: not even by the desire of second childhood for a child

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Magic of Oz by L. Frank Baum:

the Oz people."

"True," said Ruggedo. "The Oz people cannot be killed, but they can be cut into small pieces, and while every piece will still be alive, we can scatter the pieces around so that they will be quite helpless. Therefore, the Oz people will be afraid of the swords of our army, and we will conquer them with ease."

"That seems like a good idea," replied the boy, approvingly. "And in such a case, we need not bother with the other beasts of the forest."

"No; you have frightened the beasts, and they would no longer consent to assist us in conquering Oz. But those monkeys are foolish creatures, and once they are transformed to Giants, they will do just


The Magic of Oz
The third excerpt represents the future or something you must embrace, and is drawn from The Recruit by Honore de Balzac:

effect by the manner in which he discussed the remedy.

Nevertheless, suspicions had taken too strong a root in the minds of some obstinate persons, and a few philosophers, to be thus dispelled; so that all Madame de Dey's usual visitors came eagerly and early that evening to watch her countenance: some out of true friendship, but most of them to detect the secret of her seclusion.

They found the countess seated as usual, at the corner of the great fireplace in her salon, a room almost as unpretentious as the other salons in Carentan; for, in order not to wound the narrow view of her guests, she denied herself the luxuries to which she was accustomed. The floor of her reception room was not even waxed, the walls were