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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Menexenus by Plato:

degrees of evidence by which they are supported. The traditions of the oral discourses both of Socrates and Plato may have formed the basis of semi-Platonic writings; some of them may be of the same mixed character which is apparent in Aristotle and Hippocrates, although the form of them is different. But the writings of Plato, unlike the writings of Aristotle, seem never to have been confused with the writings of his disciples: this was probably due to their definite form, and to their inimitable excellence. The three dialogues which we have offered in the Appendix to the criticism of the reader may be partly spurious and partly genuine; they may be altogether spurious;--that is an alternative which must be frankly admitted. Nor can we maintain of some other dialogues, such as the

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Communist Manifesto by Karl Marx:

the workers begin to form combinations (Trades Unions) against the bourgeois; they club together in order to keep up the rate of wages; they found permanent associations in order to make provision beforehand for these occasional revolts. Here and there the contest breaks out into riots.

Now and then the workers are victorious, but only for a time. The real fruit of their battles lies, not in the immediate result, but in the ever-expanding union of the workers. This union is helped on by the improved means of communication that are created by modern industry and that place the workers of different localities in contact with one another. It was just


The Communist Manifesto
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Gulliver's Travels by Jonathan Swift:

that I was of their own species, which I often assisted myself by stripping up my sleeves, and showing my naked arms and breasts in their sight, when my protector was with me. At which times they would approach as near as they durst, and imitate my actions after the manner of monkeys, but ever with great signs of hatred; as a tame jackdaw with cap and stockings is always persecuted by the wild ones, when he happens to be got among them.

They are prodigiously nimble from their infancy. However, I once caught a young male of three years old, and endeavoured, by all marks of tenderness, to make it quiet; but the little imp fell a squalling, and scratching, and biting with such violence, that I


Gulliver's Travels
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Glinda of Oz by L. Frank Baum:

shore it rose to the surface and the top parted and fell back, disclosing a boat full of armed Skeezers. At the head was the Queen, standing up in the bow and holding in one hand a coil of magic rope that gleamed like silver.

The boat halted and Coo-ee-oh drew back her arm to throw the silver rope toward the Su-dic, who was now but a few feet from her. But the wily Flathead leader quickly realized his danger and before the Queen could throw the rope he caught up one of the copper vessels and dashed its contents full in her face!


Glinda of Oz