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Today's Stichomancy for Leonardo da Vinci

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Iliad by Homer:

battle--so far did the Trojans now retreat before the Achaeans. Glaucus, captain of the Lycians, was the first to rally them, by killing Bathycles son of Chalcon who lived in Hellas and was the richest man among the Myrmidons. Glaucus turned round suddenly, just as Bathycles who was pursuing him was about to lay hold of him, and drove his spear right into the middle of his chest, whereon he fell heavily to the ground, and the fall of so good a man filled the Achaeans with dismay, while the Trojans were exultant, and came up in a body round the corpse. Nevertheless the Achaeans, mindful of their prowess, bore straight down upon them.


The Iliad
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Shadow out of Time by H. P. Lovecraft:

- this shocking familiarity with a set of unknown ruins, and this monstrously exact identity of everything before me with what only dreams and scraps of myth could have suggested - a horror beyond all reason? Probably it was my basic conviction then - as it is now during my saner moments - that I was not awake at all, and that the entire buried city was a fragment of febrile hallucination.

Eventually, I reached the lowest level and struck off to the right of the incline. For some shadowy reason I tiled to soften my steps, even though I lost speed thereby. There was a space I was afraid to cross on this last, deeply buried floor.


Shadow out of Time
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Charmides by Plato:

of any other art? Can you show me any such result of them? You cannot.

That is true, I said; but still each of these sciences has a subject which is different from the science. I can show you that the art of computation has to do with odd and even numbers in their numerical relations to themselves and to each other. Is not that true?

Yes, he said.

And the odd and even numbers are not the same with the art of computation?

They are not.

The art of weighing, again, has to do with lighter and heavier; but the art of weighing is one thing, and the heavy and the light another. Do you admit that?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Where There's A Will by Mary Roberts Rinehart:

"You ought to be left as you are," I said, jerking at her, "for people to come"--jerk--"to-morrow to look at"--jerk. She came through at that, and we lay together in the snow and like to burst a rib laughing.

"You'll never be a princess, Miss Patty," I declared. "You're too lowly minded."

She sat up suddenly and straightened her sealskin cap on her head.

"I wish," she said unpleasantly, "I wish you wouldn't always drag in disagreeable things, Minnie!"

And she was sulky all the way to the house.