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Today's Stichomancy for Liv Tyler

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Flame and Shadow by Sara Teasdale:

But who has ever known Another's heartbreak -- All he can know is his own; And she seems hushed to me, As hushed as though Her heart were a hunter's fire Smothered in snow.

The Silent Battle

(In Memory of J. W. T. Jr.)

He was a soldier in that fight Where there is neither flag nor drum,

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Just Folks by Edgar A. Guest:

You may have your cafe table with its brilliant array, But it doesn't charm yours truly when I'm on my homeward way; For a greater joy awaits me, as I hunger for a bite-- Just the joy of pantry-prowling in the middle of the night.

The World Is Against Me

"The world is against me," he said with a sigh. "Somebody stops every scheme that I try. The world has me down and it's keeping me there; I don't get a chance. Oh, the world is unfair! When a fellow is poor then he can't get a show; The world is determined to keep him down low."


Just Folks
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from To-morrow by Joseph Conrad:

light and beauty of the world.

But anything he could interpret as a doubt-- any coldness of assent, or even a simple inattention to the development of his projects of a home with his returned son and his son's wife--would irritate him into flings and jerks and wicked side glances. He would dash his spade into the ground and walk to and fro before it. Miss Bessie called it his tan- trums. She shook her finger at him. Then, when she came out again, after he had parted with her in anger, he would watch out of the corner of his


To-morrow
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gambara by Honore de Balzac:

part,--and it is long since I have allowed myself to indulge such full confidences,--I must now ask you to allow me to leave you. I see a melody beckoning to me, dancing and floating before me, bare and quivering, like a girl entreating her lover for her clothes which he has hidden. Good-night. I must go and dress my mistress. My wife I leave with you."

He hurried away, as a man who blames himself for the loss of valuable time; and Marianna, somewhat embarrassed, prepared to follow him.

Andrea dared not detain her.

Giardini came to the rescue.

"But you heard, signora," said he. "Your husband has left you to


Gambara