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Today's Stichomancy for Liza Minnelli

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Vailima Prayers & Sabbath Morn by Robert Louis Stevenson:

We thank Thee for the pleasures we have enjoyed and for those we have been able to confer. And now, when the clouds gather and the rain impends over the forest and our house, permit us not to be cast down; let us not lose the savour of past mercies and past pleasures; but, like the voice of a bird singing in the rain, let grateful memory survive in the hour of darkness. If there be in front of us any painful duty, strengthen us with the grace of courage; if any act of mercy, teach us tenderness and patience.

ANOTHER IN TIME OF RAIN

LORD, Thou sendest down rain upon the uncounted millions of the forest, and givest the trees to drink exceedingly. We are here

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Secret Agent by Joseph Conrad:

This obvious restraint argued an incredible and inexplicable timidity of the big fellow before the calm little man, who again lifted the glass mug, drank, and put it down with brusque and assured movements. And that was all.

Ossipon after waiting for something, word or sign, that did not come, made an effort to assume a sort of indifference.

"Do you," he said, deadening his voice still more, "give your stuff to anybody who's up to asking you for it?"

"My absolute rule is never to refuse anybody - as long as I have a pinch by me," answered the little man with decision.

"That's a principle?" commented Ossipon.


The Secret Agent
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Age of Innocence by Edith Wharton:

luckily for you and for May. It's only my poor Ellen that has kept any of their wicked blood; the rest of them are all model Mingotts," cried the old lady scornfully.

Archer was aware that Madame Olenska, who had seated herself at her grandmother's side, was still thoughtfully scrutinising him. The gaiety had faded from her eyes, and she said with great gentleness: "Surely, Granny, we can persuade them between us to do as he wishes."

Archer rose to go, and as his hand met Madame

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Four Arthurian Romances by Chretien DeTroyes:

in the sequel. In his version the poet forgets that the sea separates the court at Carduel from the forest of Broceliande. His readers, however, probably passed over this "lapsus". The most famous passage relating to this forest and its spring is found in Wace, "Le Roman de Rou et des dues de Normandie", vv. 6395-6420, 2 vols. (Heilbronn, 1877-79). Cf. further the informing note by W.L. Holland, "Chretien von Troies", p. 152 f. (Tubingen, 1854). (5) This grotesque portrait of the "vilain" is perfectly conventional in aristocratic poetry, and is also applied to some Saracens in the epic poems. Cf. W.W. Comfort in "Pub.