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Today's Stichomancy for Liza Minnelli

The first excerpt represents the past or something you must release, and is drawn from The Psychology of Revolution by Gustave le Bon:

disasters suffered in the Orient, and the severities of a too oppressive autocratic regime, all classes of society, including a portion of the army and the fleet, had revolted. The railways, posts, and telegraph services had struck, so that communications between the various portions of the vast empire were interrupted.

The rural class itself, forming the majority of the nation, began to feel the influence of the revolutionary propaganda. The lot of the peasants was wretched. They were obliged, by the system of the mir, to cultivate soil which they could not acquire. The government resolved immediately to conciliate this large class of peasants by turning them into proprietors. Special laws forced

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Rape of Lucrece by William Shakespeare:

Who this accomplishment so hotly chas'd; For now against himself he sounds this doom, That through the length of times he stands disgrac'd: Besides, his soul's fair temple is defac'd; To whose weak ruins muster troops of cares, To ask the spotted princess how she fares.

She says, her subjects with foul insurrection Have batter'd down her consecrated wall, And by their mortal fault brought in subjection Her immortality, and made her thrall To living death, and pain perpetual;

The third excerpt represents the future or something you must embrace, and is drawn from At the Sign of the Cat & Racket by Honore de Balzac:

"You will be stifled!" cried Augustine. "Let us go."

But there are moments, at the Salon, when two women are not always free to direct their steps through the galleries. By the irregular course to which they were compelled by the press, Mademoiselle Guillaume and her cousin were pushed to within a few steps of the second picture. Chance thus brought them, both together, to where they could easily see the canvas made famous by fashion, for once in agreement with talent. Madame Roguin's exclamation of surprise was lost in the hubbub and buzz of the crowd; Augustine involuntarily shed tears at the sight of this wonderful study. Then, by an almost unaccountable impulse, she laid her finger on her lips, as she