| The first excerpt represents the past or something you must release, and is drawn from The Silverado Squatters by Robert Louis Stevenson: never seen such a night. It seemed to throw calumny in the
teeth of all the painters that ever dabbled in starlight.
The sky itself was of a ruddy, powerful, nameless, changing
colour, dark and glossy like a serpent's back. The stars, by
innumerable millions, stuck boldly forth like lamps. The
milky way was bright, like a moonlit cloud; half heaven
seemed milky way. The greater luminaries shone each more
clearly than a winter's moon. Their light was dyed in every
sort of colour - red, like fire; blue, like steel; green,
like the tracks of sunset; and so sharply did each stand
forth in its own lustre that there was no appearance of that
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Protagoras by Plato: the lyre. Is not that true?
Yes.
Then about what does the Sophist make him eloquent? Must not he make him
eloquent in that which he understands?
Yes, that may be assumed.
And what is that which the Sophist knows and makes his disciple know?
Indeed, he said, I cannot tell.
Then I proceeded to say: Well, but are you aware of the danger which you
are incurring? If you were going to commit your body to some one, who
might do good or harm to it, would you not carefully consider and ask the
opinion of your friends and kindred, and deliberate many days as to whether
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The third excerpt represents the future or something you must embrace, and is drawn from Cratylus by Plato: HERMOGENES: That, Socrates, I can quite believe.
SOCRATES: Well, but do you suppose that you will be able to analyse them
in this way? for I am certain that I should not.
HERMOGENES: Much less am I likely to be able.
SOCRATES: Shall we leave them, then? or shall we seek to discover, if we
can, something about them, according to the measure of our ability, saying
by way of preface, as I said before of the Gods, that of the truth about
them we know nothing, and do but entertain human notions of them. And in
this present enquiry, let us say to ourselves, before we proceed, that the
higher method is the one which we or others who would analyse language to
any good purpose must follow; but under the circumstances, as men say, we
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