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Today's Stichomancy for Louis Armstrong

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Chance by Joseph Conrad:

points of a problematic appearance. I don't know why I imagined Captain Anthony as the sort of man who would not be likely to take the initiative; not perhaps from indifference but from that peculiar timidity before women which often enough is found in conjunction with chivalrous instincts, with a great need for affection and great stability of feelings. Such men are easily moved. At the least encouragement they go forward with the eagerness, with the recklessness of starvation. This accounted for the suddenness of the affair. No! With all her inexperience this girl could not have found any great difficulty in her conquering enterprise. She must have begun it. And yet there she was, patient, almost unmoved,


Chance
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Shadow out of Time by H. P. Lovecraft:

- on the subjects' part. What is more, many of these accounts supplied very horrible details and explanations in connexion with the visions of great buildings and jungle gardens - and other things. The actual sights and vague impressions were bad enough, but what was hinted or asserted by some of the other dreamers savored of madness and blasphemy. Worst of all, my own pseudo-memory was aroused to milder dreams and hints of coming revelations. And yet most doctors deemed my course, on he whole, an advisable one. I studied psychology systematically, and under the prevailing


Shadow out of Time
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Tales of the Klondyke by Jack London:

mysterious east.

"Biggest man that ever turned his heels to Salt Water, or run a moose down with sheer grit," supplemented Bettles; "but he's the prove-the-rule exception. Look at his woman, Unga,--tip the scales at a hundred an' ten, clean meat an' nary ounce to spare. She'd bank grit 'gainst his for all there was in him, an' see him, an' go him better if it was possible. Nothing over the earth, or in it, or under it, she wouldn't 'a' done."

"But she loved him," objected the engineer.

"'T ain't that. It--"

"Look you, brothers," broke in Sitka Charley from his seat on the

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Off on a Comet by Jules Verne:

Again and again he asked himself what the catastrophe could portend. Had the towns of Algiers, Oran, and Mostaganem escaped the inundation? Could he bring himself to believe that all the inhabitants, his friends, and comrades had perished; or was it not more probable that the Mediterranean had merely invaded the region of the mouth of the Shelif? But this supposition did not in the least explain the other physical disturbances. Another hypothesis that presented itself to his mind was that the African coast might have been suddenly transported to the equatorial zone. But although this might get over the difficulty of the altered altitude of the sun and the absence of twilight, yet it would neither account for the sun setting in the east, nor for the length of the day being