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Today's Stichomancy for Lucille Ball

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Long Odds by H. Rider Haggard:

that she brightened up wonderfully. She could talk Zulu--indeed, it turned out that she had run away from Zululand in T'Chaka's time--and she told me that all the people whom I had seen had died of fever. When they had died the other inhabitants of the kraal had taken the cattle and gone away, leaving the poor old woman, who was helpless from age and infirmity, to perish of starvation or disease, as the case might be. She had been sitting there for three days among the bodies when I found her. I took her on to the next kraal, and gave the headman a blanket to look after her, promising him another if I found her well when I came back. I remember that he was much astonished at my parting with two blankets for the sake of such a worthless old creature. 'Why did I not


Long Odds
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Ann Veronica by H. G. Wells:

"meretricious." Behind this woman and a little to the side of her, walked a man smartly dressed, with desire and appraisal in his eyes. Something insisted that those two were mysteriously linked--that the woman knew the man was there.

It was a second reminder that against her claim to go free and untrammelled there was a case to be made, that after all it was true that a girl does not go alone in the world unchallenged, nor ever has gone freely alone in the world, that evil walks abroad and dangers, and petty insults more irritating than dangers, lurk.

It was in the quiet streets and squares toward Oxford Street that

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Heart of Darkness by Joseph Conrad:

but then my temperature was seldom normal in these days. My dear aunt's endeavours to `nurse up my strength' seemed altogether beside the mark. It was not my strength that wanted nursing, it was my imagination that wanted soothing. I kept the bundle of papers given me by Kurtz, not knowing exactly what to do with it. His mother had died lately, watched over, as I was told, by his Intended. A clean-shaved man, with an official manner and wearing gold-rimmed spectacles, called on me one day and made inquiries, at first circuitous, afterwards suavely pressing, about what he was pleased to denominate certain `documents.' I was not surprised, because I


Heart of Darkness
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Father Goriot by Honore de Balzac:

his eyes. In the time of the Empire, balls had always ended with a supper, because the officers who took part in them must be fortified for immediate service, and even in Paris might be called upon to leave the ballroom for the battlefield. This arrangement had gone out of fashion under the Monarchy, and Eugene had so far only been asked to dances. The self-possession which pre-eminently distinguished him in later life already stood him in good stead, and he did not betray his amazement. Yet as he saw for the first time the finely wrought silver plate, the completeness of every detail, the sumptuous dinner, noiselessly served, it was difficult for such an ardent imagination not to


Father Goriot