| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Oscar Wilde Miscellaneous by Oscar Wilde: forgetful of the English law which prohibits the introduction of
Scriptural characters on the stage. With his keen sense of the
theatre Wilde would never have contrived the long speech of Salome
at the end in a drama intended for the stage, even in the days of
long speeches. His threat to change his nationality shortly after
the Censor's interference called forth a most delightful and good-
natured caricature of him by Mr. Bernard Partridge in Punch.
Wilde was still in prison in 1896 when Salome was produced by Lugne
Poe at the Theatre de L'OEuvre in Paris, but except for an account
in the Daily Telegraph the incident was hardly mentioned in England.
I gather that the performance was only a qualified success, though
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The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Thus Spake Zarathustra by Friedrich Nietzsche: stupid and stony, like a pillar; I love fast racing.
And though there be on earth fens and dense afflictions, he who hath light
feet runneth even across the mud, and danceth, as upon well-swept ice.
Lift up your hearts, my brethren, high, higher! And do not forget your
legs! Lift up also your legs, ye good dancers, and better
still, if ye stand upon your heads!
18.
This crown of the laughter, this rose-garland crown: I myself have put on
this crown, I myself have consecrated my laughter. No one else have I
found to-day potent enough for this.
Zarathustra the dancer, Zarathustra the light one, who beckoneth with his
 Thus Spake Zarathustra |