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Today's Stichomancy for Lucky Luciano

The first excerpt represents the past or something you must release, and is drawn from The Water-Babies by Charles Kingsley:

could not help putting them on; and she flew with them out of the window, and over the land, and over the sea, and up through the clouds, and nobody heard or saw anything of her for a very long while.

And this is why they say that no one has ever yet seen a water- baby. For my part, I believe that the naturalists get dozens of them when they are out dredging; but they say nothing about them, and throw them overboard again, for fear of spoiling their theories. But, you see the professor was found out, as every one is in due time. A very terrible old fairy found the professor out; she felt his bumps, and cast his nativity, and took the lunars of

The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Mad King by Edgar Rice Burroughs:

of the hapless monarch.

Dawn found him still upon his way, but with the deter- mination fully crystallized to hail the first man he met and ask the way to Tann. He still avoided the main traveled roads, but from time to time he paralleled them close enough that he might have ample opportunity to hail the first passerby.

The road was becoming more and more mountainous and difficult. There were fewer homes and no hamlets, and now he began to despair entirely of meeting any who could give him direction unless he turned and retraced his steps to the


The Mad King
The third excerpt represents the future or something you must embrace, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

auto-suggestion. Was it so serious because I thought it so? Or had I a presentiment? I do not know. Perhaps, too, after what has happened, all previous events have taken on a lugubrious tint in my memory.

"I arrived at the steps. It was an hour past midnight. A few isvotchiks were before the door, awaiting customers, attracted by the lighted windows (the lighted windows were those of our parlor and reception room). Without trying to account for this late illumination, I went up the steps, always with the same expectation of something terrible, and I rang. The servant, a good, industrious, and very stupid being, named Gregor, opened


The Kreutzer Sonata