| The first excerpt represents the past or something you must release, and is drawn from Sons and Lovers by D. H. Lawrence: "And she exults so in taking you from me--she's not like
ordinary girls."
"Well, I don't love her, mother," he murmured, bowing his head
and hiding his eyes on her shoulder in misery. His mother kissed
him a long, fervent kiss.
"My boy!" she said, in a voice trembling with passionate love.
Without knowing, he gently stroked her face.
"There," said his mother, "now go to bed. You'll be so tired
in the morning." As she was speaking she heard her husband coming.
"There's your father--now go." Suddenly she looked at him almost
as if in fear. "Perhaps I'm selfish. If you want her, take her,
 Sons and Lovers |
The second excerpt represents the present or the deciding factor of the moment, and is drawn from Bucky O'Connor by William MacLeod Raine: "It's at your risk then, Mr. Collins."
"Sure." The sheriff smiled. "I'm living at my own risk, doctor.
But I'd a heap rather be alive than daid, and take all the risk
that's coming, too. But since you make a point of it, I'll do
most of my walking on a bronco's back."
They found Mr. Hardman just emerging from the stable with a
saddle-pony when they rode into the corral. At a word from
Collins, Hawkes took the precaution to close the corral gate.
The fellow held a wary position on the farther side of his horse,
the while he ripped out a raucous string of invectives.
"Real fluent, ain't he?" murmured Hawkes, as he began to circle
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The third excerpt represents the future or something you must embrace, and is drawn from Under the Red Robe by Stanley Weyman: 'Of Paris?'
'Yes, Monsieur, of Paris.'
'You are not, then, the gentleman who has been honouring my poor
house with his presence?'
'Oh, yes!' the Lieutenant struck in, grinning. 'He is that
gentleman, too.'
'But I thought--I understood that that was M. de Barthe!'
'I am M. de Barthe, also,' I retorted impatiently. 'What of
that, Monsieur? It was my mother's name. I took it when I came
down here.'
'To--er--to arrest me, may I ask?'
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