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Today's Stichomancy for Lucy Liu

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Animal Farm by George Orwell:

stories were leaking out from Pinchfield about the cruelties that Frederick practised upon his animals. He had flogged an old horse to death, he starved his cows, he had killed a dog by throwing it into the furnace, he amused himself in the evenings by making cocks fight with splinters of razor-blade tied to their spurs. The animals' blood boiled with rage when they heard of these things beingdone to their comrades, and sometimes they clamoured to be allowed to go out in a body and attack Pinchfield Farm, drive out the humans, and set the animals free. But Squealer counselled them to avoid rash actions and trust in Comrade Napoleon's strategy.

Nevertheless, feeling against Frederick continued to run high. One Sunday


Animal Farm
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Polity of Athenians and Lacedaemonians by Xenophon:

path towards iniquity. He knows that a bad man has a better chance of slipping through the fingers of justice in a democratic than in an oligarchical state.

[26] Or, "and which are good for nothing."

[27] Or,"its own friends and supporters."

[28] Reading {ontes} or (if {gnontes}), "who, recognising the nature of the People, have no popular leaning." Gutschmidt conj. {enioi egguoi ontes}, i.e. Pericles.

[29] On the principle that "the knee is nearer than the shin-bone," {gonu knemes}, or, as we say, "charity begins at home."

III

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Odyssey by Homer:

ran a gunwale all round it. He also made a mast with a yard arm, and a rudder to steer with. He fenced the raft all round with wicker hurdles as a protection against the waves, and then he threw on a quantity of wood. By and by Calypso brought him some linen to make the sails, and he made these too, excellently, making them fast with braces and sheets. Last of all, with the help of levers, he drew the raft down into the water.

In four days he had completed the whole work, and on the fifth Calypso sent him from the island after washing him and giving him some clean clothes. She gave him a goat skin full of black wine, and another larger one of water; she also gave him a


The Odyssey
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Flatland: A Romance of Many Dimensions by Edwin A. Abbot:

may perhaps accord with one of the future wives, but not with both; or not, at first, with either; or the Soprano and Contralto may not quite harmonize. In such cases Nature has provided that every weekly Chorus shall bring the three Lovers into closer harmony. Each trial of voice, each fresh discovery of discord, almost imperceptibly induces the less perfect to modify his or her vocal utterance so as to approximate to the more perfect. And after many trials and many approximations, the result is at last achieved. There comes a day at last, when, while the wonted Marriage Chorus goes forth from universal Lineland, the three far-off Lovers suddenly find themselves in exact harmony, and,


Flatland: A Romance of Many Dimensions