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Today's Stichomancy for Lucy Liu

The first excerpt represents the past or something you must release, and is drawn from Essays & Lectures by Oscar Wilde:

history, which, however, produced merely antiquarians, not historians. It is so hard to use facts, so easy to accumulate them.

Wearied of the dull monotony of the pontifical annals, which dwelt on little else but the rise and fall in provisions and the eclipses of the sun, Cato wrote out a history with his own hand for the instruction of his child, to which he gave the name of Origines, and before his time some aristocratic families had written histories in Greek much in the same spirit in which the Germans of the eighteenth century used French as the literary language. But the first regular Roman historian is Sallust. Between the

The second excerpt represents the present or the deciding factor of the moment, and is drawn from Moby Dick by Herman Melville:

part about him. So that with ease he elevates it in the air, and invariably does so when going at his utmost speed. Besides, such is the breadth of the upper part of the front of his head, and such the tapering cut-water formation of the lower part, that by obliquely elevating his head, he thereby may be said to transform himself from a bluff-bowed sluggish galliot into a sharppointed New York pilot-boat.

"Start her, start her, my men! Don't hurry yourselves; take plenty of time--but start her; start her like thunder-claps, that's all," cried Stubb, spluttering out the smoke as he spoke. "Start her, now; give 'em the long and strong stroke, Tashtego. Start her, Tash, my


Moby Dick
The third excerpt represents the future or something you must embrace, and is drawn from Intentions by Oscar Wilde:

square-cut jaw, the loosened shadowy hair that he so ardently loved, there the sweet maidenhood of 'The Golden Stair,' the blossom-like mouth and weary loveliness of the 'Laus Amoris,' the passion-pale face of Andromeda, the thin hands and lithe beauty of the Vivian in 'Merlin's Dream.' And it has always been so. A great artist invents a type, and Life tries to copy it, to reproduce it in a popular form, like an enterprising publisher. Neither Holbein nor Vandyck found in England what they have given us. They brought their types with them, and Life with her keen imitative faculty set herself to supply the master with models. The Greeks, with their quick artistic instinct, understood this,