| The first excerpt represents the past or something you must release, and is drawn from Venus and Adonis by William Shakespeare: Away he springs, and hasteth to his horse.
But lo! from forth a copse that neighbours by,
A breeding jennet, lusty, young, and proud, 260
Adonis' tramping courier doth espy,
And forth she rushes, snorts and neighs aloud:
The strong-neck'd steed, being tied unto a tree,
Breaketh his rein, and to her straight goes he. 264
Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven's thunder;
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The second excerpt represents the present or the deciding factor of the moment, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson: them the principles upon which the pyramidal form was chosen for a
fabric intended to co-extend its duration with that of the world:
he showed that its gradual diminution gave it such stability as
defeated all the common attacks of the elements, and could scarcely
be overthrown by earthquakes themselves, the least resistible of
natural violence. A concussion that should shatter the pyramid
would threaten the dissolution of the continent.
They measured all its dimensions, and pitched their tents at its
foot. Next day they prepared to enter its interior apartments, and
having hired the common guides, climbed up to the first passage;
when the favourite of the Princess, looking into the cavity,
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The third excerpt represents the future or something you must embrace, and is drawn from Barnaby Rudge by Charles Dickens: dark figure of Hugh beside him.
What she thought about, going home; and whether the coach-maker
held as favourable a place in her meditations as he had occupied in
the morning, is unknown. They reached home at last--at last, for
it was a long way, made none the shorter by Mrs Varden's grumbling.
Miggs hearing the sound of wheels was at the door immediately.
'Here they are, Simmun! Here they are!' cried Miggs, clapping her
hands, and issuing forth to help her mistress to alight. 'Bring a
chair, Simmun. Now, an't you the better for it, mim? Don't you
feel more yourself than you would have done if you'd have stopped
at home? Oh, gracious! how cold you are! Goodness me, sir, she's
 Barnaby Rudge |