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Today's Stichomancy for Lucy Liu

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Moral Emblems by Robert Louis Stevenson:

Like some historic Bruce or Stanley. Ben had a mean and servile soul, He robbed not, though he often stole. He sang on Sunday in the choir, And tamely capped the passing Squire.

At length, intolerant of trammels - Wild as the wild Bithynian camels, Wild as the wild sea-eagles - Bob His widowed dam contrives to rob, And thus with great originality Effectuates his personality.

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Crowd by Gustave le Bon:

little less rudimentary than is the case they would know that, on the contrary, children invariably lie; the lie is doubtless innocent, but it is none the less a lie. It would be better to decide the fate of an accused person by the toss of a coin than, as has been so often done, by the evidence of a child.

To return to the faculty of observation possessed by crowds, our conclusion is that their collective observations are as erroneous as possible, and that most often they merely represent the illusion of an individual who, by a process of contagion, has suggestioned his fellows. Facts proving that the most utter mistrust of the evidence of crowds is advisable might be

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Lay Morals by Robert Louis Stevenson:

Nicodemus'd into nothing?' - TRISTRAM SHANDY, vol. I. chap xix.

Such were the views of the late Walter Shandy, Esq., Turkey merchant. To the best of my belief, Mr. Shandy is the first who fairly pointed out the incalculable influence of nomenclature upon the whole life - who seems first to have recognised the one child, happy in an heroic appellation, soaring upwards on the wings of fortune, and the other, like the dead sailor in his shotted hammock, haled down by sheer weight of name into the abysses of social failure. Solomon possibly had his eye on some such theory when he said that 'a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from At the Mountains of Madness by H. P. Lovecraft:

though somewhat damaged by a neighboring rift, contained sculptures of decadent workmanship carrying the story of the region much beyond the period of the Pliocene map whence we derived our last general glimpse of the prehuman world. This was the last place we examined in detail, since what we found there gave us a fresh immediate objective. Certainly, we were in one of the strangest, weirdest, and most terrible of all the corners of earth’s globe. Of all existing lands, it was infinitely the most ancient. The conviction grew upon us that this hideous upland must indeed be the fabled nightmare plateau of Leng which even the mad author


At the Mountains of Madness