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Today's Stichomancy for Ludwig Wittgenstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Passion in the Desert by Honore de Balzac:

meaning; the coquette quivered when she felt her friend stroke her head; her eyes flashed like lightning--then she shut them tightly.

"She has a soul," he said, looking at the stillness of this queen of the sands, golden like them, white like them, solitary and burning like them.

"Well," she said, "I have read your plea in favor of beasts; but how did two so well adapted to understand each other end?"

"Ah, well! you see, they ended as all great passions do end--by a misunderstanding. For some reason ONE suspects the other of treason; they don't come to an explanation through pride, and quarrel and part from sheer obstinacy."

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Night and Day by Virginia Woolf:

something together; that we see something. . . . I've got into the habit of imagining you; I'm always thinking what you'd say or do; I walk along the street talking to you; I dream of you. It's merely a bad habit, a schoolboy habit, day-dreaming; it's a common experience; half one's friends do the same; well, those are the facts."

Simultaneously, they both walked on very slowly.

"If you were to know me you would feel none of this," she said. "We don't know each other--we've always been--interrupted. . . . Were you going to tell me this that day my aunts came?" she asked, recollecting the whole scene.

He bowed his head.

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Awakening & Selected Short Stories by Kate Chopin:

mansion of red brick, shaped like the Pantheon. A grove of majestic live-oaks surrounded it.

Thirty years later, only the thick walls were standing, with the dull red brick showing here and there through a matted growth of clinging vines. The huge round pillars were intact; so to some extent was the stone flagging of hall and portico. There had been no home so stately along the whole stretch of Cote Joyeuse. Every one knew that, as they knew it had cost Philippe Valmet sixty thousand dollars to build, away back in 1840. No one was in danger of forgetting that fact, so long as his daughter Pelagie survived. She was a queenly, white-haired woman of fifty. "Ma'ame Pelagie,"


Awakening & Selected Short Stories
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Gulliver's Travels by Jonathan Swift:

learning and pronouncing their words and sentences." To help my memory, I formed all I learned into the English alphabet, and writ the words down, with the translations. This last, after some time, I ventured to do in my master's presence. It cost me much trouble to explain to him what I was doing; for the inhabitants have not the least idea of books or literature.

In about ten weeks time, I was able to understand most of his questions; and in three months, could give him some tolerable answers. He was extremely curious to know "from what part of the country I came, and how I was taught to imitate a rational creature; because the YAHOOS (whom he saw I exactly resembled in


Gulliver's Travels