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Today's Stichomancy for Ludwig Wittgenstein

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Buttered Side Down by Edna Ferber:

"Dress?" queried Sophy, looking down at the shiny front breadth of her frock. "Why? Don't you like it?"

"Like it! No!" blurted Louie.

"Don't yuh, rully! Deah me! Deah me! If I'd only knew that this morning. As a gen'ral thing I wear white duck complete down t' work, but I'm savin' my last two clean suits f'r gawlf."

Louie ran an uncomfortable finger around the edge of his collar, but he stood his ground. "It--it--shows your--neck so," he objected, miserably.

Sophy opened her great eyes wide. "Well, supposin' it does?" she inquired, coolly. "It's a perfectly good neck, ain't it?"


Buttered Side Down
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Girl with the Golden Eyes by Honore de Balzac:

truth, he was ready at that time to pardon the offence in view of a love so single minded. "I shall soon see," he thought.

If Paquita owed him no account of the past, yet the least recollection of it became in his eyes a crime. He had therefore the sombre strength to withhold a portion of his thought, to study her, even while abandoning himself to the most enticing pleasures that ever peri descended from the skies had devised for her beloved.

Paquita seemed to have been created for love by a particular effort of nature. In a night her feminine genius had made the most rapid progress. Whatever might be the power of this young man, and his indifference in the matter of pleasures, in spite of his satiety of


The Girl with the Golden Eyes
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Princess of Parms by Edgar Rice Burroughs:

Sab Than lay dead beside his father, and the corpses of the flower of Zodangan nobility and chivalry covered the floor of the bloody shambles.

My first thought when the battle was over was for Kantos Kan, and leaving Dejah Thoris in charge of Tars Tarkas I took a dozen warriors and hastened to the dungeons beneath the palace. The jailers had all left to join the fighters in the throne room, so we searched the labyrinthine prison without opposition.

I called Kantos Kan's name aloud in each new corridor and compartment, and finally I was rewarded by hearing a

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Maid Marian by Thomas Love Peacock:

attending his master's wound to absent himself from the battle; and put the poor knight to a great deal of unnecessary pain by making as long a business as possible of extracting the arrow, which he had not accomplished when Matilda, approaching, extracted it with great facility, and bound up the wound with her scarf, saying, "I reclaim my arrow, sir knight, which struck where I aimed it, to admonish you to desist from your enterprise. I could as easily have lodged it in your heart."

"It did not need," said the knight, with rueful gallantry; "you have lodged one there already."

"If you mean to say that you love me," said Matilda, "it is more than I