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Today's Stichomancy for Mao Zedong

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from McTeague by Frank Norris:

something was very wrong indeed. For days Trina had noticed it. The fingers of her right hand had swollen as never before, aching and discolored. Cruelly lacerated by McTeague's brutality as they were, she had nevertheless gone on about her work on the Noah's ark animals, constantly in contact with the "non-poisonous" paint. She told as much to the doctor in answer to his questions. He shook his head with an exclamation.

"Why, this is blood-poisoning, you know," he told her; "the worst kind. You'll have to have those fingers amputated, beyond a doubt, or lose the entire hand--or even worse."


McTeague
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Taras Bulba and Other Tales by Nikolai Vasilievich Gogol:

a third, having learned upon the road that the Zaporozhtzi were before Dubno. He could only manage to tell them that this misfortune had taken place; but as to how it happened--whether the remaining Zaporozhtzi had been carousing after Cossack fashion, and had been carried drunk into captivity, and how the Tatars were aware of the spot where the treasures of the army were concealed--he was too exhausted to say. Extremely fatigued, his body swollen, and his face scorched and weatherbeaten, he had fallen down, and a deep sleep had overpowered him.

In such cases it was customary for the Cossacks to pursue the robbers at once, endeavouring to overtake them on the road; for, let the


Taras Bulba and Other Tales
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from An Inland Voyage by Robert Louis Stevenson:

and went merrily away down stream.

I do not know how long it was before I scrambled on to the tree to which I was left clinging, but it was longer than I cared about. My thoughts were of a grave and almost sombre character, but I still clung to my paddle. The stream ran away with my heels as fast as I could pull up my shoulders, and I seemed, by the weight, to have all the water of the Oise in my trousers-pockets. You can never know, till you try it, what a dead pull a river makes against a man. Death himself had me by the heels, for this was his last ambuscado, and he must now join personally in the fray. And still I held to my paddle. At last I dragged myself on to my stomach on

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Letters of Two Brides by Honore de Balzac:

the forbidden, which makes me uneasy and reveals a conflict in progress in my soul between the laws of society and of nature. I cannot tell whether nature in me is the stronger of the two, but I surprise myself in the act of meditating between the hostile powers.

In plain words, what I wanted was to speak with Felipe, alone, at night, under the lime-trees at the bottom of our garden. There is no denying that this desire beseems the girl who has earned the epithet of an "up-to-date young lady," bestowed on me by the Duchess in jest, and which my father has approved.

Yet to me there seems a method in this madness. I should recompense Felipe for the long nights he has passed under my window, at the same