| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Goodness of St. Rocque and Other Stories by Alice Dunbar: over the worn boards, and peered down with daring excitement into
the perilous depths of the water below. The sun, fast sinking in
a gorgeous glow behind the pines of the Tchefuncta region far
away, danced his mischievous rays in much the same manner that he
did every other day. But there was a something in the air, a
something not tangible, but mysterious, subtle. You could catch
an indescribable whiff of it in your inner senses, by the
half-eager, furtive glances that the small crowd cast at La
Juanita.
"Gar, gar, le bateau!" said one dark-tressed mother to the
wide-eyed baby. "Et, oui," she added, in an undertone to her
 The Goodness of St. Rocque and Other Stories |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Underground City by Jules Verne: My duty is clear; I should be the most despicable creature on earth
did I hesitate to perform it. Farewell! I thank you all heartily.
You only have taught me what happiness is. Whatever may befall,
believe that my whole heart remains with you."
At these words, Simon, Madge, and Harry started up in an agony of grief,
exclaiming in tones of despair, "What, Nell! is it possible you
would leave us?"
James Starr put them all aside with an air of authority, and,
going straight up to Nell, he took both her hands in his,
saying quietly, "Very right, my child; you have said exactly what you
ought to say; and now listen to what we have to say in reply.
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Secret Agent by Joseph Conrad: down by one end on the left side of her face gave an air of
disorderly formality to her restrained movements. But when she
arrived as far as the hearthrug, Mr Verloc was no longer standing
there. He had moved off in the direction of the sofa, without
raising his eyes to watch the effect of his tirade. He was tired,
resigned in a truly marital spirit. But he felt hurt in the tender
spot of his secret weakness. If she would go on sulking in that
dreadful overcharged silence - why then she must. She was a master
in that domestic art. Mr Verloc flung himself heavily upon the
sofa, disregarding as usual the fate of his hat, which, as if
accustomed to take care of itself, made for a safe shelter under
 The Secret Agent |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Almayer's Folly by Joseph Conrad: disgusting intrigues and crimes for lust or money; and those
things, together with the domestic quarrels, were the only events
of her three years' existence. She did not die from despair and
disgust the first month, as she expected and almost hoped for.
On the contrary, at the end of half a year it had seemed to her
that she had known no other life. Her young mind having been
unskilfully permitted to glance at better things, and then thrown
back again into the hopeless quagmire of barbarism, full of
strong and uncontrolled passions, had lost the power to
discriminate. It seemed to Nina that there was no change and no
difference. Whether they traded in brick godowns or on the muddy
 Almayer's Folly |