| The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Underdogs by Mariano Azuela: Now, little girl, come here and pour yourself a drink.
You won't, eh? Aw, come on! Afraid of your--er--hus-
band . . . or whatever he is, huh? Well, if he's skulking in
some hole, you tell him to come out. What the hell do I
care? I'm not scared of rats, see!"
Suddenly a white shadow loomed on the threshold.
"Demetrio Macias!" the sergeant cried as he stepped
back in terror.
The lieutenant stood up, silent, cold and motionless
as a statue.
"Shoot them!" the woman croaked.
 The Underdogs |
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Euthyphro by Plato: notions, (compare Symp.; Republic; Politicus.) But when we expect him to
go on and show that the true service of the gods is the service of the
spirit and the co-operation with them in all things true and good, he stops
short; this was a lesson which the soothsayer could not have been made to
understand, and which every one must learn for himself.
There seem to be altogether three aims or interests in this little
Dialogue: (1) the dialectical development of the idea of piety; (2) the
antithesis of true and false religion, which is carried to a certain extent
only; (3) the defence of Socrates.
The subtle connection with the Apology and the Crito; the holding back of
the conclusion, as in the Charmides, Lysis, Laches, Protagoras, and other
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| The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Heap O' Livin' by Edgar A. Guest: But you'll never accomplish more;
If you're afraid of yourself, young man,
There's little for you in store.
For failure comes from the inside first,
It's there if we only knew it,
And you can win, though you face the worst,
If you feel that you're going to do it.
Success! It's found in the soul of you,
And not in the realm of luck!
The world will furnish the work to do,
But you must provide the pluck.
 A Heap O' Livin' |
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Figure in the Carpet by Henry James: "No. I want to think this thing out."
"You'll tell me then in the morning that you've laid me bare?"
"I'll see what I can do; I'll sleep on it. But just one word
more," I added. We had left the room - I walked again with him a
few steps along the passage. "This extraordinary 'general
intention,' as you call it - for that's the most vivid description
I can induce you to make of it - is then, generally, a sort of
buried treasure?"
His face lighted. "Yes, call it that, though it's perhaps not for
me to do so."
"Nonsense!" I laughed. "You know you're hugely proud of it."
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