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Today's Stichomancy for Margaret Thatcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Maitre Cornelius by Honore de Balzac:

to your wife now, and go to the frontier; you will be accompanied by an escort of honor. As for your instructions and credentials, they will be in Venice before you get there."

Louis then gave the order--not without adding certain secret instructions--to a lieutenant of the Scottish guard to take a squad of men and accompany the ambassador to Venice. Saint-Vallier departed in haste, after giving his wife a cold kiss which he would fain have made deadly. Louis XI. then crossed over to the Malemaison, eager to begin the unravelling of the melancholy comedy, lasting now for eight years, in the house of his silversmith; flattering himself that, in his quality of king, he had enough penetration to discover the secret of

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Rasselas, Prince of Abyssinia by Samuel Johnson:

nothing beyond them, nor can imagine how they will be dispelled; yet a new day succeeded to the night, and sorrow is never long without a dawn of ease. But they who restrain themselves from receiving comfort do as the savages would have done had they put out their eyes when it was dark. Our minds, like our bodies, are in continual flux; something is hourly lost, and something acquired. To lose much at once is inconvenient to either, but while the vital power remains uninjured, nature will find the means of reparation. Distance has the same effect on the mind as on the eye; and while we glide along the stream of time, whatever we leave behind us is always lessening, and that which we approach

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from A Distinguished Provincial at Paris by Honore de Balzac:

Nathan's work, when he read it in the newsroom of the Cour du Commerce; and the ruthless, bloodthirsty critic, the lively mocker, became a poet in the final phrases which rose and fell with majestic rhythm like the swaying censer before the altar.

"One hundred francs, Coralie!" cried he, holding up eight sheets of paper covered with writing while she dressed.

The mood was upon him; he went on to indite, stroke by stroke, the promised terrible article on Chatelet and Mme. de Bargeton. That morning he experienced one of the keenest personal pleasures of journalism; he knew what it was to forge the epigram, to whet and polish the cold blade to be sheathed in a victim's heart, to make of

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Kreutzer Sonata by Leo Tolstoy:

On Easter Sunday no work was done. Toward the evening an elder came to the peasants from the nobleman's court and said: "Our superintendent, Michael Simeonovitch, orders you to go to-morrow to plough the field for the oats." Thus the official went through the village and directed the men to prepare for work the next day--some by the river and others by the roadway. The poor people were almost overcome with grief, many of them shedding tears, but none dared to disobey the orders of their master.

On the morning of Easter Monday, while the church bells were calling the inhabitants to religious services, and while every one else was about to enjoy a holiday, the unfortunate serfs


The Kreutzer Sonata