Tarot Runes I Ching Stichomancy Contact
Store Numerology Coin Flip Yes or No Webmasters
Personal Celebrity Biorhythms Bibliomancy Settings

Today's Stichomancy for Margaret Thatcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Tanach:

2_Chronicles 24: 26 And these are they that conspired against him: Zabad the son of Shimeath the Ammonitess, and Jehozabad the son of Shimrith the Moabitess.

2_Chronicles 24: 27 Now concerning his sons, and the multitude of the burdens against him, and the rebuilding of the house of God, behold, they are written in the commentary of the book of the kings. And Amaziah his son reigned in his stead.

2_Chronicles 25: 1 Amaziah was twenty and five years old when he began to reign; and he reigned twenty and nine years in Jerusalem; and his mother's name was Jehoaddan of Jerusalem.

2_Chronicles 25: 2 And he did that which was right in the eyes of the LORD, but not with a whole heart.

2_Chronicles 25: 3 Now it came to pass, when the kingdom was established unto him, that he slew his servants who had killed the king his father.

2_Chronicles 25: 4 But he put not their children to death, but did according to that which is written in the law in the book of Moses, as the LORD commanded, saying: 'The fathers shall not die for the children, neither shall the children die for the fathers; but every man shall die for his own sin.'

2_Chronicles 25: 5 Moreover Amaziah gathered Judah together, and ordered them according to their fathers' houses, under captains of thousands and captains of hundreds, even all Judah and Benjamin; and he numbered them from twenty years old and upward, and found them three hundred thousand chosen men, able to go forth to war, that could handle spear and shield.

2_Chronicles 25: 6 He hired also a hundred thousand mighty men of valour out of Israel for a hundred talents of silver.


The Tanach
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from In the South Seas by Robert Louis Stevenson:

declaring she was drunk. But what shocked Tahiti might seem fit enough in the Paumotus, the more so as certain women there possess, by the gift of nature, singular and useful powers. They say they are honest, well-intentioned ladies, some of them embarrassed by their weird inheritance. And indeed the trouble caused by this endowment is so great, and the protection afforded so infinitesimally small, that I hesitate whether to call it a gift or a hereditary curse. You may rob this lady's coco-patch, steal her canoes, burn down her house, and slay her family scatheless; but one thing you must not do: you must not lay a hand upon her sleeping-mat, or your belly will swell, and you can only be cured

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Flower Fables by Louisa May Alcott:

bear it to our Queen; it is so fresh and fragrant it will be a fit gift for her"; and they joyfully took it in, little dreaming who had placed it there.

So each day Thistle filled a flower-cup, and laid it at the door; and each day the bees wondered more and more, for many strange things happened. The field-flowers told of the good spirit who watched above them, and the birds sang of the same kind little Elf bringing soft moss for their nests, and food for their hungry young ones; while all around the hive had grown fairer since the Fairy came.

But the bees never saw him, for he feared he had not yet done enough to win their forgiveness and friendship; so he lived alone among the


Flower Fables
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Dark Lady of the Sonnets by George Bernard Shaw:

popular work was never really open to them: had they stooped they would have picked up less than they snatched from above the people's heads. But Handel and Shakespear were not held to their best in this way. They could turn out anything they were asked for, and even heap up the measure. They reviled the British Public, and never forgave it for ignoring their best work and admiring their splendid commonplaces; but they produced the commonplaces all the same, and made them sound magnificent by mere brute faculty for their art. When Shakespear was forced to write popular plays to save his theatre from ruin, he did it mutinously, calling the plays "As _You_ Like It," and "Much Ado About Nothing." All the same, he did it so well that to this day these two