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Today's Stichomancy for Margaret Thatcher

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Twelve Stories and a Dream by H. G. Wells:

The valance dropped again behind Mr. Ledbetter, and he rose from all-fours and held up his hands. "Dressed like a parson," said the stout gentleman. "I'm blest if he isn't! A little chap, too! You SCOUNDREL! What the deuce possessed you to come here to-night? What the deuce possessed you to get under my bed?"

He did not appear to require an answer, but proceeded at once to several very objectionable remarks upon Mr. Ledbetter's personal appearance. He was not a very big man, but he looked strong to Mr. Ledbetter: he was as stout as his legs had promised, he had rather delicately-chiselled small features distributed over a considerable area of whitish face, and quite a number of chins. And the note

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Cousin Pons by Honore de Balzac:

this time of day that you are as innocent as a young maid at your time of life. Tell that to your granny! A musician at a theatre too! Why, if a woman told me that, I wouldn't believe her."

"Montame Zipod, you irritate him!" cried Schmucke, seeing that Pons was writhing under the bedclothes.

"You hold your tongue too! You are a pair of old libertines. If you were ugly, it don't make no difference; there was never so ugly a saucepan-lid but it found a pot to match, as the saying is. There is Cibot, he got one of the handsomest oyster-women in Paris to fall in love with him, and you are infinitely better looking than him! You are a nice pair, you are! Come, now, you have sown your wild oats, and God

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from Droll Stories, V. 1 by Honore de Balzac:

the trout should be added to the feast as well as the sweets and other dainties, she added, cunningly, "Sit you down and drink with us." But the artful minx, being up to a trick or two, gave the little one a wink which told him plainly not to mind the German, whom she would soon find a means to be rid of.

The servant-maid seated the Bishop at the table, and tucked him up, while Philippe, wild with rage that closed his mouth, because he saw his plans ending in smoke, gave the archbishop to more devils than ever were monks alive. Thus they got halfway through the repast, which the young priest had not yet touched, hungering only for Imperia, near whom he was already seated, but speaking that sweet language which the


Droll Stories, V. 1
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Poems by T. S. Eliot:

If one, settling a pillow by her head, Should say: "That is not what I meant at all; That is not it, at all."

And would it have been worth it, after all, Would it have been worth while, After the sunsets and the dooryards and the sprinkled streets, After the novels, after the teacups, after the skirts that trail along the floor-- And this, and so much more?-- It is impossible to say just what I mean! But as if a magic lantern threw the nerves in patterns on a screen: