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Today's Stichomancy for Marilyn Monroe

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from A Book of Remarkable Criminals by H. B. Irving:

a fashionable divorce case, post from the murder of a young married couple and their baby--even examples such as these pale before the levity of the "little demon," as the French detectives christened Gabrielle.

Such was Gabrielle Bompard when, on July 26, exactly one year to a day before the murder of Gouffe, she met in Paris Michel Eyraud. These two were made for each other. If Gabrielle were unmoral, Eyraud was immoral. Forty-six at the time of Gouffe's murder, he was sufficiently practised in vice to appreciate and enjoy the flagrantly vicious propensities of the young Gabrielle. All his life Eyraud had spent his substance in


A Book of Remarkable Criminals
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Herland by Charlotte Gilman:

questions of us that they were prepared to believe our world must be better than theirs. They were not sure; they wanted to know; but there was no such arrogance about them as might have been expected.

We rather spread ourselves, telling of the advantages of competition: how it developed fine qualities; that without it there would be "no stimulus to industry." Terry was very strong on that point.

"No stimulus to industry," they repeated, with that puzzled look we had learned to know so well. "STIMULUS? TO INDUSTRY? But don't you LIKE to work?"

"No man would work unless he had to," Terry declared.


Herland
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from From the Earth to the Moon by Jules Verne:

with both hands.

"Very well?" asked Barbicane, after some minutes' silence.

"Well!" replied Nicholl; every calculation made, _v_ zero, that is to say, the speed necessary for the projectile on leaving the atmosphere, to enable it to reach the equal point of attraction, ought to be----"

"Yes?" said Barbicane.

"Twelve thousand yards."

"What!" exclaimed Barbicane, starting; "you say----"

"Twelve thousand yards."

"The devil!" cried the president, making a gesture of despair.


From the Earth to the Moon
The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Ion by Plato:

single poets.

Ion is delighted at the notion of being inspired, and acknowledges that he is beside himself when he is performing;--his eyes rain tears and his hair stands on end. Socrates is of opinion that a man must be mad who behaves in this way at a festival when he is surrounded by his friends and there is nothing to trouble him. Ion is confident that Socrates would never think him mad if he could only hear his embellishments of Homer. Socrates asks whether he can speak well about everything in Homer. 'Yes, indeed he can.' 'What about things of which he has no knowledge?' Ion answers that he can interpret anything in Homer. But, rejoins Socrates, when Homer speaks of the arts, as for example, of chariot-driving, or of medicine, or of