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Today's Stichomancy for Marlon Brando

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Young Forester by Zane Grey:

pines were growing, and the saplings had sufficient room and light to prosper. I commented to Dick upon the difference between this part of Penetier and the hideous slash we had left.

"There were a couple of Government markers went through here and marked the timber to be cut," said Dick.

"Was the timber cut in the mill I saw?"

"No. Buell's just run up that mill. The old one is out here a ways, nearer Holston."

"Is it possible, Dick, that any of those loggers back there don't know the Government is being defrauded?"

"Ken, hardly any of them know it, and they wouldn't care if they did. You


The Young Forester
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Call of the Canyon by Zane Grey:

drew the blinds down and read her magazines. Then tiring of that, she went back to the observation car. Carley was accustomed to attracting attention, and did not resent it, unless she was annoyed. The train evidently had a full complement of passengers, who, as far as Carley could see, were people not of her station in life. The glare from the many windows, and the rather crass interest of several men, drove her back to her own section. There she discovered that some one had drawn up her window shades. Carley promptly pulled them down and settled herself comfortably. Then she heard a woman speak, not particularly low: "I thought people traveled west to see the country." And a man replied, rather dryly. "Wal, not always." His companion went on: "If that girl was mine I'd let down her skirt." The man laughed


The Call of the Canyon
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Song of Hiawatha by Henry Wadsworth Longfellow:

Shuts the doors of all the wigwams, So that not an ear can hear you, So that not an eye can see you, Rise up from your bed in silence, Lay aside your garments wholly, Walk around the fields you planted, Round the borders of the cornfields, Covered by your tresses only, Robed with darkness as a garment. "Thus the fields shall be more fruitful, And the passing of your footsteps

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from Long Odds by H. Rider Haggard:

pan towards the bush-clad kloof or donga, and this first gave me the idea of firing the reeds, which, as I think I told you, were pretty dry. Accordingly Tom took some matches and began starting little fires to the left, and I did the same to the right. But the reeds were still green at the bottom, and we should never have got them well alight had it not been for the wind, which grew stronger and stronger as the sun climbed higher, and forced the fire into them. At last, after half-an-hour's trouble, the flames got a hold, and began to spread out like a fan, whereupon I went round to the further side of the pan to wait for the lions, standing well out in the open, as we stood at the copse to-day where you shot the woodcock. It was a rather risky thing


Long Odds