The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Burning Daylight by Jack London: Yet, unlike MacDonald, his voice was firm and customary, and,
unlike Kearns, his hand did not tremble when he wrote.
"I call, for ten thousand," he said. "Not that I'm afraid of
you-all, Mac. It's that hunch of Jack's."
"I hump his hunch for five thousand just the same," said
MacDonald. "I had the best hand before the draw, and I still
guess I got it."
"Mebbe this is a case where a hunch after the draw is better'n
the hunch before," Kearns remarked; "wherefore duty says, 'Lift
her, Jack, lift her,' and so I lift her another five thousand."
Daylight leaned back in his chair and gazed up at the kerosene
|
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from Virginibus Puerisque by Robert Louis Stevenson: Montenegro, is no reason why he should never have been to
Richmond.
It is surely beyond a doubt that people should be a good
deal idle in youth. For though here and there a Lord Macaulay
may escape from school honours with all his wits about him,
most boys pay so dear for their medals that they never
afterwards have a shot in their locker, and begin the world
bankrupt. And the same holds true during all the time a lad
is educating himself, or suffering others to educate him. It
must have been a very foolish old gentleman who addressed
Johnson at Oxford in these words: "Young man, ply your book
|