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Today's Stichomancy for Marlon Brando

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from Jane Eyre by Charlotte Bronte:

son and daughter; and he learned from him that he could and would give the latter a fortune of thirty thousand pounds: that sufficed. When I left college, I was sent out to Jamaica, to espouse a bride already courted for me. My father said nothing about her money; but he told me Miss Mason was the boast of Spanish Town for her beauty: and this was no lie. I found her a fine woman, in the style of Blanche Ingram: tall, dark, and majestic. Her family wished to secure me because I was of a good race; and so did she. They showed her to me in parties, splendidly dressed. I seldom saw her alone, and had very little private conversation with her. She flattered me, and lavishly displayed for my pleasure her charms and


Jane Eyre
The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from The Unseen World and Other Essays by John Fiske:

course of the work. This climax--delayed for a few moments by an andante aria for a contralto voice, "The Lord is faithful and righteous"--at last bursts upon us with a superb crescendo of strings, and the words, "Awake, thou that sleepest, arise from the dead, and Christ shall give thee light." This chorus, which for reasons presently to be given was heard at considerable disadvantage at Portland, contains some of the best fugue-writing in the work, and is especially rich and powerful in its instrumentation.

The second part of the oratorio begins with the crucifixion and ascension of Jesus. Here we must note especially the deeply


The Unseen World and Other Essays
The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Rape of Lucrece by William Shakespeare:

But she, that never cop'd with stranger eyes, Could pick no meaning from their parling looks, Nor read the subtle-shining secrecies Writ in the glassy margents of such books; She touch'd no unknown baits, nor fear'd no hooks; Nor could she moralize his wanton sight, More than his eyes were open'd to the light.

He stories to her ears her husband's fame, Won in the fields of fruitful Italy; And decks with praises Collatine's high name, Made glorious by his manly chivalry

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Blue Flower by Henry van Dyke:

he had spoken of long journeyings by sea and land; of perils by fire and flood; of wolves and bears, and fierce snowstorms, and black nights in the lonely forest; of dark altars of heathen gods, and weird, bloody sacrifices, and narrow escapes from murderous bands of wandering savages.

The little novices had gathered around him, and their faces had grown pale and their eyes bright as they listened with parted lips, entranced in admiration, twining their arms about one another's shoulders and holding closely together, half in fear, half in delight. The older nuns had turned from their tasks and paused, in passing by, to bear the pilgrim's