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Today's Stichomancy for Marlon Brando

The first excerpt represents the element of Air. It speaks of mental influences and the process of thought, and is drawn from The Importance of Being Earnest by Oscar Wilde:

That, my dear Algy, is the whole truth pure and simple.

ALGERNON. The truth is rarely pure and never simple. Modern life would be very tedious if it were either, and modern literature a complete impossibility!

JACK. That wouldn't be at all a bad thing.

ALGERNON. Literary criticism is not your forte, my dear fellow. Don't try it. You should leave that to people who haven't been at a University. They do it so well in the daily papers. What you really are is a Bunburyist. I was quite right in saying you were a Bunburyist. You are one of the most advanced Bunburyists I know.

JACK. What on earth do you mean?

The second excerpt represents the element of Fire. It speaks of emotional influences and base passions, and is drawn from A Passion in the Desert by Honore de Balzac:

unknown to the world. He knew what it was to tremble when he heard over his head the hiss of a bird's wing, so rarely did they pass, or when he saw the clouds, changing and many colored travelers, melt one into another. He studied in the night time the effect of the moon upon the ocean of sand, where the simoom made waves swift of movement and rapid in their change. He lived the life of the Eastern day, marveling at its wonderful pomp; then, after having reveled in the sight of a hurricane over the plain where the whirling sands made red, dry mists and death-bearing clouds, he would welcome the night with joy, for then fell the healthful freshness of the stars, and he listened to imaginary music in the skies. Then solitude taught him to unroll the

The third excerpt represents the element of Water. It speaks of pure spiritual influences and feelings of love, and is drawn from The Research Magnificent by H. G. Wells:

of any one worth consideration are surely these moments when for the first time he faces towards certain broad ideas and certain broad facts. Life nowadays consists of adventures among generalizations. In class-rooms after the lecture, in studies in the small hours, among books or during solitary walks, the drama of the modern career begins. Suddenly a man sees his line, his intention. Yet though we are all of us writing long novels--White's world was the literary world, and that is how it looked to him--which profess to set out the lives of men, this part of the journey, this crucial passage among the Sphinxes, is still done--when it is done at all--slightly, evasively. Why?

The fourth excerpt represents the element of Earth. It speaks of physical influences and the impact of the unseen on the visible world, and is drawn from The Return of Tarzan by Edgar Rice Burroughs:

after a short conference, they took up their burdens and set off to retrace their steps toward the village of the Waziri. At the end of the third day they marched into the village gate, and were greeted by the survivors of the recent massacre, to whom Tarzan had sent a messenger in their temporary camp to the south on the day that the raiders had quitted the village, telling them that they might return in safety.

It took all the mastery and persuasion that Tarzan possessed to prevent the Waziri falling on the Manyuema tooth and nail, and tearing them to pieces, but when he had explained that he had given his word that they would not be


The Return of Tarzan