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Today's Stichomancy for Martin Scorsese

The first excerpt represents the past or something you must release, and is drawn from Life in the Iron-Mills by Rebecca Davis:

showing the clearness of the God-power acting through Him, shrank back from one coarse fact; that in birth and habit the man Christ was thrown up from the lowest of the people: his flesh, their flesh; their blood, his blood; tempted like them, to brutalize day by day; to lie, to steal: the actual slime and want of their hourly life, and the wine-press he trod alone.

Yet, is there no meaning in this perpetually covered truth? If the son of the carpenter had stood in the church that night, as he stood with the fishermen and harlots by the sea of Galilee, before His Father and their Father, despised and rejected of men, without a place to lay His head, wounded for their


Life in the Iron-Mills
The second excerpt represents the present or the deciding factor of the moment, and is drawn from The Bride of Lammermoor by Walter Scott:

would again call for the person whose double occupation connected him at once with the house of mourning and the house of feasting.

An outrider of the Marquis arrived at Tod's Hole shortly after, with a message, intimating that his master would join Ravenswood at that place on the following morning; and the Master, who would otherwise have proceeded to his old retreat at Wolf's Crag, remained there accordingy to give meeting to his noble kinsman.

CHAPTER XXIV.

Hamlet: Has this fellow no feeling of his business? he sings at grave making. Horatio: Custom hath made it in him a property of easiness. Hamlet: 'Tis e'en so: the hand of little


The Bride of Lammermoor
The third excerpt represents the future or something you must embrace, and is drawn from Lair of the White Worm by Bram Stoker:

that that compensation was in one form or another the enjoyment of the sufferings of others. Thus the black had a never-failing source of amusement.

Lady Arabella's cold nature rendered her immune to anything in the way of pain or trouble concerning others. Edgar Caswall was far too haughty a person, and too stern of nature, to concern himself about poor or helpless people, much less the lower order of mere animals. Mr. Watford, Mr. Salton, and Sir Nathaniel were all concerned in the issue, partly from kindness of heart--for none of them could see suffering, even of wild birds, unmoved--and partly on account of their property, which had to be protected, or ruin would stare them


Lair of the White Worm